Alton's Paradox

Foreign Film Workers and the Emergence of Industrial Cinema in Latin America

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de Nicolas Poppe

Type: Studies
Sujet: Countries > Latin America
Mots Clés: Latin America, economics, immigration
Année d'édition: 2022
1ere édition: 2021
Editeur: State University of New York Press
Collection: SUNY series in Latin American cinema
Langue: anglais

Taille du livre

Format

Paperback • 376 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-1-4384-8504-1

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Description de l'ouvrage:
Uses extensive archival research to explore the manifold contributions of foreign film workers to emerging film industries in Latin America from the 1930s to early 1940s.

Alton's Paradox builds upon extensive archival and primary research, but uses a single text as its point of departure—a 1934 article by the Hungarian American cinematographer John Alton in the Hollywood-published International Photographer. Writing from Argentina, Alton paradoxically argues of cine nacional, "The possibilities are enormous, but not until foreign technicians will take the matter in their hands and with foreign organization will there be local industry." Nicolas Poppe argues that Alton succinctly articulates a line of thought commonly held across Latin America during the early sound period but little explored by scholars: that foreign labor was pivotal to the rise of national film industries. In tracking this paradox from Hollywood to Mexico to Argentina and beyond, Poppe reconsiders a series of notions inextricably tied to traditional film historiography, including authorship, (dis)continuation, intermediality, labor, National Cinema, and transnationalism. Wide-angled views of national film industries complement close-up analyses of the work of José Mojica, Alex Phillips, Juan Orol, Ángel Mentasti, and Tito Davison.

À propos de l'auteur :
Nicolas Poppe is Associate Professor of Luso-Hispanic Studies at Middlebury College and the coeditor (with Rielle Navitski) of Cosmopolitan Film Cultures in Latin America, 1896–1960.

Revue de Presse:
"A book that film scholars, historians of Latin America, and students will find stimulating and innovative, Alton's Paradox is a provocative inquiry into the many meanings and definitions of a 'national film culture,' the essentially transnational character of cinema, and the persisting and everlasting relationship between Latin American cinema and Hollywood." — Hispanic American Historical Review

Voir le site internet de l'éditeur State University of New York Press

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