Fantastic Voyages of the Cinematic Imagination
Georges Méliès's Trip to the Moon
Sous la direction de Matthew Solomon
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage:
An authoritative and comprehensive guide to cinema’s first true blockbuster.
"Best moving pictures I ever saw." Thus did one Vaudeville theater manager describe Georges Méliès's A Trip to the Moon [Le Voyage dans la lune], after it was screened for enthusiastic audiences in October 1902. Cinema's first true blockbuster, A Trip to the Moon still inspires such superlatives and continues to be widely viewed on DVD, on the Internet, and in countless film courses. In Fantastic Voyages of the Cinematic Imagination, leading film scholars examine Méliès's landmark film in detail, demonstrating its many crucial connecions to literature, popular culture, and visual culture of the time, as well as its long "afterlife" in more recent films, television, and music videos. Together, these essays make clear that Méliès was not only a major filmmaker but also a key figure in the emergence of modern spectacle and the birth of the modern cinematic imagination, and by bringing interdisciplinary methodologies of early cinema studies to bear on A Trip to the Moon, the contributors also open up much larger questions about aesthetics, media, and modernity.
In his introduction, Matthew Solomon traces the convoluted provenance of the film's multiple versions and its key place in the historiography of cinema, and an appendix contains a useful dossier of primary-source documents that contextualize the film's production, along with translations of two major articles written by Méliès himself.
À propos de l'auteur :
Matthew Solomon is Associate Professor of Cinema Studies at the College of Staten Island, City University of New York. He is the author of Disappearing Tricks: Silent Films, Houdini, and the New Magic of the Twentieth Century.
Revue de Presse:
"Fantastic Voyages is a significant volume of criticism, one that has a clear appeal to historians of early film, but also one that, thanks to the quality and breadth of its contributions, has much to offer to a wider audience." — Science Fiction Studies
"Matthew Solomon … deserves much credit for making the point that the study of an individual film by a range of scholars ought to find a larger place among the more traditional auteur and genre studies." — Film History
"This superbly conceived collection enhances understanding of a keystone film … Excellent early-cinema scholars … illuminate [Méliès's] articulate artistic credo and his meticulous and inventive practice of the new art form … A necessary addition to comprehensive film collections." — CHOICE
"This is a welcome addition to the field of early film history. It does that wonderful thing that the best film histories do—it points out the relevance of its subject to areas beyond cinema studies. In this case the focus on one filmmaker affords a deeper understanding of not only Méliès and the context of his work, but also its impact on aesthetic and critical debates ranging from the avant-garde of the early twentieth century to those concerning technology and vision in the twenty-first century." — Michael Hammond, author of The Big Show: British Cinema Culture in the Great War, 1914–1918
"While focusing on A Trip to the Moon, the book highlights such diverse issues as the film's artistic sources, its historical reception over time, its place within the career of Méliès, and its relation to other works of cinema." — Lucy Fischer, author of Designing Women: Cinema, Art Deco, and the Female Form
Voir le site internet de l'éditeur State University of New York Press
Voir la fiche de A Trip to the Moon (1902) sur le site IMDB ...
> Du même auteur :
The Biggest Thing in Show Business (2024)
Living It Up with Martin & Lewis
de Murray Pomerance et Matthew Solomon
Sujet : Actor > Jerry Lewis, Dean Martin
Méliès Boots (2022)
Footwear and Film Manufacturing in Second Industrial Revolution Paris
Sujet : Director > Georges Méliès
Disappearing Tricks (2010)
Silent Film, Houdini, and the New Magic of the Twentieth Century
Sujet : Silent Cinema
> Sur un thème proche :
Discovering Lost Films of Georges Méliès (2020)
in Fin-de-siècle Flip Books (1896-1901)
de Thierry Lecointe, Pascal Fouché, Robert Byrne et Pamela Hutchinson
Sujet : Director > Georges Méliès
The Enchanting Kinora (2025)
Domesticating Moving Images in Edwardian Britain
de Elizabeth Evans et Llewella Chapman
Sujet : History of Cinema
Finding Birt Acres (2025)
The Rediscovery of a Film Pioneer
de Deac Rossell, Barry Anthony et Peter Domankiewicz
Sujet : Silent Cinema
Our Country/Whose Country? (2024)
Early Westerns and Travel Films as Stories of Settler Colonialism
de Richard Abel
Sujet : Countries > United States
Screening Europe in Australasia (2024)
Transnational Silent Film Before and After the Rise of Hollywood
Sujet : Silent Cinema