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A Very Old Machine

The Many Origins of the Cinema in India

by Sudhir Mahadevan

Type
Essays
Subject
CountriesIndia
Keywords
India
Publishing date
2016
1st publishing
2015
Publisher
State University of New York Press
Collection
SUNY series, Horizons of Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 256 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-4384-5828-1
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Book Presentation:
Argues that Indian cinema’s deep nineteenth-century past continues to play a vital role in its twenty-first-century present.

In A Very Old Machine, Sudhir Mahadevan shows how Indian cinema's many origins in the technologies and practices of the nineteenth century continue to play a vital and broad function in its twenty-first-century present. He proposes that there has never been a singular cinema in India; rather, Indian cinema has been a multifaceted phenomenon that was (and is) understood, experienced, and present in everyday life in myriad ways. Employing methods of media archaeology, close textual analysis, archival research, and cultural theory, Mahadevan digs into the history of photography, print media, practices of piracy and showmanship, and contemporary everyday imaginations of the cinema to offer an understanding of how the cinema came to be such a dominant force of culture in India. The result is an open-ended and innovative account of Indian cinema's "many origins."

About the Author:
Sudhir Mahadevan is Associate Professor in the Department of Comparative Literature, Cinema and Media at the University of Washington.

Press Reviews:
"Sudhir Mahadevan does the impossible in A Very Old Machine … He shows how various technologies that emerged in nineteenth-century India shaped its current cinema." — H-Net Reviews (Jhistory)

"…methodologically and theoretically wide-ranging." — BioScope: South Asian Screen Studies

"Sudhir Mahadevan's A Very Old Machine is a work of great theoretical sophistication and rigorous historical scholarship. A revisionist and definitive treatment of early Indian film, the book shows how prevailing attitudes toward technology, photography, empire, commodity, and mass culture made the cinema a socially and culturally distinct form in India. Drawing on a wealth of primary research, A Very Old Machine fills many gaps. Anyone who wants to know how Indian cinema became Indian will need to consult this book." — James Morrison, editor of Hollywood Reborn: Movie Stars of the 1970s

See the publisher website: State University of New York Press

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