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Women Filmmakers of the African & Asian Diaspora
Decolonizing the Gaze, Locating Subjectivity
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Book Presentation:
Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood’s constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking.
Foster provides a voice for Black and Asian women in the first detailed examination of the works of six contemporary Black and Asian women filmmakers. She also includes a detailed introduction and a chapter entitled "Other Voices," documenting the work of other Black and Asian filmmakers.
Foster analyzes the key films of Zeinabu irene Davis, "one of a growing number of independent Black women filmmakers who are actively constructing [in the words of bell hooks] ‘an oppositional gaze’"; British filmmaker Ngozi Onwurah and Julie Dash, two filmmakers working with time and space; Pratibha Parmar, a Kenyan/Indian-born British Black filmmaker concerned with issues of representation, identity; cultural displacement, lesbianism, and racial identity; Trinh T. Minh-ha, a Vietnamese-born artist who revolutionized documentary filmmaking by displacing the "voyeuristic gaze of the ethnographic documentary filmmaker"; and Mira Nair, a Black Indian woman who concentrates on interracial identity.
About the Author:
Gwendolyn Audrey Foster is Willa Cather Endowed Professor of English and Film Studies at the University of Nebraska, Lincoln, and is the author of fourteen books. Performing Whiteness: Postmodern Re/Constructions in the Cinema, was named an outstanding title in the humanities for 2004 by Choice. Foster's most recent book is Disruptive Feminisms: Raced, Classed, and Gendered Bodies in Film.
Press Reviews:
“This book sheds a necessary light on women filmmakers and videographers whose existence and works have been overlooked in previous book-length studies of women filmmakers.”—Mark A. Reid, author of Post-Negritude Visual and Literacy Culture
See the publisher website: Southern Illinois University Press
> From the same author:
A Short History of Film (2018)
by Wheeler Winston Dixon and Gwendolyn Audrey Foster
Subject: History of Cinema
21st-Century Hollywood (2011)
Movies in the Era of Transformation
by Wheeler Winston Dixon and Gwendolyn Audrey Foster
Subject: Economics
Experimental Cinema, The Film Reader (2002)
Dir. Gwendolyn Audrey Foster and Wheeler Winston Dixon
Subject: Genre > Experimental
> On a related topic:
Black Women Filmmakers and Black Love on Screen (2020)
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Where No Black Woman Has Gone Before (2018)
Subversive Portrayals in Speculative Film and TV
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Cinema Remixed and Reloaded (2008)
Black Women and the Moving Image Since 1970
by Andrea Barnwell Brownlee and Valerie Cassel Oliver
Subject: General
Women and New Hollywood (2023)
Gender, Creative Labor, and 1970s American Cinema
Dir. Aaron Hunter and Martha Shearer
Subject: Countries > United States
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