Staging a Comeback
Broadway, Hollywood, and the Disney Renaissance
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
In the early 1980s, Walt Disney Productions was struggling, largely bolstered by the success of its theme parks. Within fifteen years, however, it had become one of the most powerful entertainment conglomerates in the world. Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance argues that far from an executive feat, this impressive turnaround was accomplished in no small part by the storytellers recruited during this period. Drawing from archival research, interviews, and textual analysis, Peter C. Kunze examines how the hiring of theatrically trained talent into managerial and production positions reorganized the lagging animation division and revitalized its output. By Aladdin, it was clear that animation—not live action—was the center of a veritable “renaissance” at Disney, and the animated musicals driving this revival laid the groundwork for the company’s growth into Broadway theatrical production. The Disney Renaissance not only reinvigorated the Walt Disney Company but both reflects and influenced changes in Broadway and Hollywood more broadly.
About the Author:
PETER C. KUNZE is an assistant professor of communication at Tulane University. He is the editor or coeditor of several books, including The Films of Wes Anderson: Critical Essays on an Indiewood Icon, American-Australian Cinema: Transnational Connections, and Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals.
Press Reviews:
"Peter Kunze’s Staging a Comeback brings a fresh perspective to the Disney 'renaissance' of the 1980s and '90s. He examines these films’ historical connection to the theatricality, anthropomorphic performance, and mediated liveness of classic animation. The book is also noteworthy for the author’s innovative research methods, in light of the studio’s reluctance to open up to independent scholarship. Kunze shows that if you can’t enter the castle over the moat, you can storm it by way of the ramparts."
— Donald Crafton
"Staging a Comeback tells a fascinating, complex story of corporate ambition, artistic vision, and theatrical collaboration. Kunze brilliantly reveals how the interdependence of theater and animation, New York City and theme parks, Hollywood producers and Broadway musical theater artists enabled Disney’s breathtaking success."
— Stacy Wolf
See the publisher website: Rutgers University Press
> From the same author:
The Oxford Handbook of Screen Comedy (2025)
Dir. Peter C. Kunze and William V. Costanzo
Subject: Genre > Comedy/Humor
> On a related topic:
The Cultural Legacy of Disney (2024)
A Century of Magic
by Robyn Muir, Rebecca Rowe, Hannah Helm and Emily Aguiló-Pérez
Subject: Studio > Disney Studios
Disney Gothic (2024)
Dark Shadows in the House of Mouse
Dir. Lorna Piatti-Farnell and Jeffrey Andrew Weinstock
Subject: Studio > Disney Studios
Reasserting the Disney Brand in the Streaming Era (2024)
A Critical Examination of Disney+
by Robert Alan Brookey, Jason Phillips and Timothy Pollard
Subject: Studio > Disney Studios
Forgotten Disney (2023)
Essays on the Lesser-Known Productions
Dir. Kathy Merlock Jackson, Carl H. Sederholm and Mark I. West
Subject: Studio > Disney Studios
The Art of Walt Disney (2023)
From Mickey Mouse to the Magic Kingdoms and Beyond: Disney 100 Celebration Edition
Subject: Studio > Disney Studios
The Disney Princess Phenomenon (2023)
A Feminist Analysis
by Robyn Muir
Subject: Studio > Disney Studios
The Disney Revolt (2023)
The Great Labor War of Animation's Golden Age
Subject: Studio > Disney Studios