Les livres en français sont sur www.livres-cinema.info
Untimely Bodies, Untimely Aesthetics
Temporality, Relationality, and Intimacy in the Cinema of the Berlin School
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
While heteronormativity continues to permeate nearly all threads of the socio-cultural fabric, several early twenty-first-century German films offer insight into how we might challenge that dominance and disrupt its linear construction of time. Examining the fluidity of time in eight contemporary films of the Berlin School, Untimely Bodies, Untimely Aesthetics foregrounds how queer conceptualizations of temporality can engage notions of subjectivity, relationality, and intimacy in visual representations. Each film depicts figures that grapple with an unattainable desire for connection, placed in landscapes shaped by hegemonic heteronormative intimacies, and a linear temporal organization of life that conforms to mainstream, traditional rhythms, and milestones. Simone Pfleger proposes a new model for viewing non-normative relationality and intimacies, using the concept of untimeliness as an analytical framework for examining content and aesthetics. In these films, untimeliness provides an alternative to the romanticization of progress by charting how the filmic figures understand themselves and relate to one another in various spheres: work, love, sex, home, family, and self. Ultimately, Pfleger shows how the texts uncover a temporary promise of breaking free from restrictive social structures, even as they make clear that this schism cannot and should not be permanent. By proposing time as a critical lens through which to investigate our relationships and intimacies, Untimely Bodies, Untimely Aesthetics offers a new way to think about film and encourages moviegoers to turn the analysis back toward themselves and their own desires, expectations, assumptions, and adherence to or deviation from normative narratives in their own lives.
À propos de l'auteur :
Simone Pfleger is assistant professor at the University of Alberta.
Revue de Presse:
"The Berlin School has left a permanent mark on film history that deserves continued interest in the scholarly space. Untimely Bodies, Untimely Aesthetics meaningfully contributes to this ongoing and ever-expanding scholarly conversation by deriving its methodological approach from theoretical traditions, including queer studies, that have been underused in the discourse thus far. The book reframes how we think about what the Berlin School films do – this is not a small feat." Marco Abel, University of Nebraska–Lincoln and author of The Counter-Cinema of the Berlin School
Voir le site internet de l'éditeur McGill-Queen's University Press
> Sur un thème proche :
The Berlin School and Its Global Contexts (2018)
A Transnational Art Cinema
Dir. Jaimey Fisher et Marco Abel
Berlin School Glossary (2013)
An ABC of the New Wave in German Cinema
de Roger F. Cook, Lutz P. Koepnick, Kristin Kopp et Brad Prager
New German Cinema and Its Global Contexts (2025)
A Transnational Art Cinema
Dir. Marco Abel et Jaimey Fisher
Charting Asian German Film History (2025)
Imagination, Collaboration, and Diasporic Representation
Dir. Qinna Qinna Shen, Zach Ramon Fitzpatrick et Qingyang Freya Zhou
Transnational German Film at the End of Neoliberalism (2024)
Radical Aesthetics, Radical Politics
Dir. Claudia Breger et Olivia Landry
Retour
