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European Film Noir
Edited by Andrew Spicer
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Book Presentation:
European Film Noir is the first book to bring together specialist discussions of film noir in specific European national cinemas. Written by leading scholars, this groundbreaking study provides an authoritative understanding of an important aspect of European cinema and of film noir itself, for too long considered as a solely American form.
The Introduction reviews the problems of defining film noir, its key characteristics and discusses its significance to the development of European film, the relationship of specific national films noirs to each other, to American noir and to historical and social change. Eight chapters then discuss film noir in France, Germany, Britain and Spain, analysing both earlier developments and the evolution of neo-noir through to the present. A further chapter explores film noir in Italian cinema where its presence is not so well defined. Each piece provides a critical overview of the most significant films in relation to their industrial and social contexts.
European Film Noir is an important contribution to the study of European cinema that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.
About the Author:
Andrew Spicer is Reader in Cultural History in the Bristol School of Art, Media and Design, University of the West of England
See the publisher website: Manchester University Press
> From the same author:
Building Successful and Sustainable Film and Television Businesses (2017)
A Cross-National Perspective
Dir. Eva Bakoy, Roel Puijk and Andrew Spicer
> On a related topic:
Thrillers, Chillers, and Killers (2025)
Radio and Film Noir
Through a Noir Lens (2024)
Adapting Film Noir Visual Style
American Noir Film (2024)
From The Maltese Falcon to Gone Girl
The Dark Interval (2023)
Film Noir, Iconography, and Affect
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