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Screenwriters in French Cinema
de Sarah Leahy et Isabelle Vanderschelden
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Description de l'ouvrage:
Screenwriters have been central figures in French cinema since the conversion to sound, from early French-language talkies for the domestic market to lavish literary adaptations of the notorious 'quality tradition' of the 1950s, and from the 'aesthetic revolution' of the New Wave to the contemporary popular and auteur film in the 2000s. The first English language study to address screenwriters in French cinema, this volume will be of particular interest to scholars and students of French film and screenwriting. Taking a diachronic approach, it includes case studies drawn from the early sound period to the present day in order to offer an alternative historiography of French cinema, shed light on these overlooked figures and revisit the vexed question of film authorship.
À propos des auteurs :
Sarah Leahy is Senior Lecturer in French and Film at Newcastle UniversityIsabelle Vanderschelden is Senior Lecturer in French Studies at Manchester Metropolitan University
Voir le site internet de l'éditeur Manchester University Press
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Through a Nuclear Lens (2024)
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The Cinematic Influence (2024)
Interaction and Exchange Between the Cinemas of France and Japan
The Ethnographic Optic (2024)
Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Reframing the European Other (2023)
Identity and Belonging in Contemporary French and German Cinema
French B Movies (2023)
Suburban Spaces, Universalism, and the Challenge of Hollywood
The Art of Directing (2023)
A Concise Dictionary of France's Film Directors
Dir. Michaël Abecassis, Marcelline Block et Felicity Chaplin
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