Books in French are on www.livres-cinema.info
MENU   

Un-American Dreams

Apocalyptic Science Fiction, Disimagined Community, and Bad Hope in the American Century

by J. Jesse Ramírez

Type
Studies
Subject
GenreDisaster films
Keywords
science fiction, disaster films, politics, United States, George A. Romero, Philip K. Dick, Roland Emmerich
Publishing date
2022
Publisher
Liverpool University Press
Collection
Liverpool Science Fiction Texts and Studies
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 264 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-80085-466-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
After the end, the world will be un-American. This speculation forms the nucleus of Un-American Dreams, a study of US apocalyptic science fiction and the cultural politics of disimagined community in the short century of American superpower, 1945-2001. Between the atomic attacks on Hiroshima and Nagasaki, which helped to transform the United States into a superpower and initiated the Cold War, and the terrorist attacks on the World Trade Center and the Pentagon, which spelled the Cold War's second death and inaugurated the War on Terror, apocalyptic science fiction returned again and again to the scene of America's negation. During the American Century, to imagine yourself as American and as a participant in a shared national culture meant disimagining the most powerful nation on the planet. Un-American Dreams illuminates how George R. Stewart, Philip K. Dick, George A. Romero, Octavia Butler, and Roland Emmerich represented the impossibility of reforming American society and used figures of the end of the world as speculative pretexts to imagine the utopian possibilities of an un-American world. The American Century was simultaneously a closure of the path to utopia and an escape route into apocalyptic science fiction, the underground into which figures of an alternative future could be smuggled.

See the publisher website: Liverpool University Press

> On a related topic:

Apocalypse Then:American and Japanese Atomic Cinema, 1951–1967

Apocalypse Then (2017)

American and Japanese Atomic Cinema, 1951–1967

by Mike Bogue

Subject: Genre > Disaster films

Apocalyptic Dread:American Film at the Turn of the Millennium

Apocalyptic Dread (2007)

American Film at the Turn of the Millennium

by Kirsten Moana Thompson

Subject: Genre > Disaster films

The Golden Age of Disaster Cinema:A Guide to the Films, 1950–1979

The Golden Age of Disaster Cinema (2019)

A Guide to the Films, 1950–1979

by Nik Havert

Subject: Genre > Disaster films

Apocalypse-Cinema:2012 and Other Ends of the World

Apocalypse-Cinema (2015)

2012 and Other Ends of the World

by Peter Szendy

Subject: Genre > Disaster films

Come With Me If You Want to Live:The Future as Foretold in Classic Sci-Fi Films

Come With Me If You Want to Live (2023)

The Future as Foretold in Classic Sci-Fi Films

by Michael Harris

Subject: Genre > Science Fiction

Pandemics, Authoritarian Populism, and Science Fiction:Medicine, Military, and Morality in American Film

Pandemics, Authoritarian Populism, and Science Fiction (2023)

Medicine, Military, and Morality in American Film

by Jeremiah Morelock

Subject: Genre > Science Fiction

Red Alert:Marxist Approaches to Science Fiction Cinema

Red Alert (2016)

Marxist Approaches to Science Fiction Cinema

Dir. Ewa Mazierska and Alfredo Suppia

Subject: Genre > Science Fiction

Poli Sci Fi:An Introduction to Political Science through Science Fiction

Poli Sci Fi (2016)

An Introduction to Political Science through Science Fiction

Dir. Michael Allen and Justin S. Vaughn

Subject: Genre > Science Fiction

11749 books listed   •   (c)2024-2025 cinemabooks.info   •