The Filmmaker's View
100 years of Arri
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Description de l'ouvrage:
The best just got better” is how the new ARRI camera is advertised, and indeed the slogan is a perfect summary of the career of the company. To mark the centenary 100 famous film makers describe their experiences with ARRI – a fascinating glimpse behind the scenes and an entertaining journey from the era of celluloid to the age of digital films.
September 1917: the young film makers August Arnold and Robert Richter rent a small shop in Munich and found ARRI with a film-copying machine. 100 years later the company is the world market leader in cameras and a technical pioneer. Legendary cameras like the ARRIFLEX (Easy Rider) and the digital ARRI ALEXA (James Bond 007: Skyfall) have led to the company being awarded the Oscar for technical innovations on 19 occasions to date. And beyond the realm of Hollywood, ARRI cameras are also used for science and medicine. In this volume, directors, cameramen, lighting specialists, historians, producers and inventors from all over the world have a chance to speak. They sketch a multi-faceted portrait and look into the future.
Voir le site internet de l'éditeur Hirmer Publishers
> Sur un thème proche :
Everyday Movies (2020)
Portable Film Projectors and the Transformation of American Culture
Sujet : Technique > Projection
Histoires d'appareils / Tales from the Vaults (2023)
La technologie du cinéma à travers les années et les continents
Dir. Louis Pelletier et Rachael Stoeltje
(en français et anglais)
Sujet : History of Cinema
Experimental Filmmaking and the Motion Picture Camera (2019)
An Introductory Guide for Artists and Filmmakers
Sujet : Technique > Cinematography
Chronicle of a Camera (2017)
The Arriflex 35 in North America, 1945-1972
de Norris Pope
Sujet : Technique > Cinematography
The Enchanting Kinora (2025)
Domesticating Moving Images in Edwardian Britain
de Elizabeth Evans et Llewella Chapman
Sujet : History of Cinema
The Great Art Of Light And Shadow (2000)
Archaeology of the Cinema
de Laurent Mannoni et Richard Crangle
Sujet : History of Cinema