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Eros Plus Massacre
An Introduction to the Japanese New Wave Cinema
de David Desser
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Description de l'ouvrage:
The decade of the 1960s encompassed a "New Wave" of films whose makers were rebels, challenging cinematic traditions and the culture at large. The films of the New Wave in Japan have, until now, been largely overlooked. Eros plus Massacre (taking its title from a 1969 Yoshida Yoshishige film) is the first major study devoted to the examination and explanation of Japanese New Wave film.
Desser organizes his volume around the defining motifs of the New Wave. Chapters examine in depth such themes as youth, identity, sexuality, and women, as they are revealed in the Japanese film of the sixties. Desser's research in Japanese film archives, his interviews with major figures of the movement, and his keen insight into Japanese culture combine to offer a solid and balanced analysis of films by Oshima, Shinoda, Imamura, Yoshida, Suzuki, and others.
Voir le site internet de l'éditeur Indiana University Press
> Du même auteur :
Killers, Clients and Kindred Spirits (2019)
The Taboo Cinema of Shohei Imamura
Dir. Lindsay Coleman et David Desser
Sujet : Director > Shôhei Imamura
Tough Ain't Enough (2018)
New Perspectives on the Films of Clint Eastwood
Dir. Lester D. Friedman et David Desser
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American Jewish Filmmakers (2003)
de David Desser et Lester D. Friedman
Sujet : Countries > United States
Cinematic Landscapes (2000)
Observations on the Visual Arts and Cinema of China and Japan
Dir. Linda C. Ehrlich et David Desser
> Sur un thème proche :
Cinema of Actuality (2013)
Japanese Avant-Garde Filmmaking in the Season of Image Politics
Transcendence and Spirituality in Japanese Cinema (2024)
Framing Sacred Spaces
Japanese Filmmakers in the Wake of Fukushima (2023)
Perspectives on Nuclear Disasters
Cinema of Discontent (2023)
Representations of Japan's High-Speed Growth
Prostitutes, Hostesses, and Actresses at the Edge of the Japanese Empire (2023)
Fragmenting History
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