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Sonic Space in Djibril Diop Mambety's Films

by Vlad Dima

Type
Studies
Subject
DirectorDjibril Diop Mambety
Keywords
Djibril Diop Mambety, Senegal
Publishing date
2017
Publisher
Indiana University Press
Collection
African Expressive Cultures
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 244 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-253-02421-3
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Book Presentation:
The art of Senegalese director Djibril Diop Mambety's cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety's film Touki Bouki is considered one of the foundational works of African cinema. Vlad Dima proposes a new reading of Mambety's entire filmography from the perspective of sound. Following recent analytical patterns in film studies that challenge the primacy of the visual, Dima claims that Mambety uses voices, noise, and silence as narrative tools that generate their own stories and sonic spaces. By turning an ear to cinema, Dima pushes African aesthetics to the foreground of artistic creativity and focuses on the critical importance of sound in world cinema.

About the Author:
Vlad Dima is Assistant Professor of French Studies with a specialty in African cinema at the University of Wisconsin–Madison. He received his doctorate in 2010 from the University of Minnesota–Twin Cities. He has published numerous articles on French and francophone cinemas, Hollywood, television studies, and literary studies.

Press Reviews:
"This volume is an important study of orality and narrative in Senegalese cinema, and it has a voice that is certain to emanate beyond its covers."
-Ian Gerg, Notes

"[A]s the first monograph to focus on listening to a body of cinematic work from the African continent, Dima's book makes an undeniably welcome contribution, adding useful new critical concepts. African cinema has on the whole received short shrift from screen sound and music studies, a state of affairs the book clearly demonstrates is unjust. By focusing on Mambety's often radical use of sound, Dima argues forcefully that this rich and innovative body of work needs to play a far more central role in our understanding of the ways in which sound and image operate."
-Music, Sound, and the Moving Image

"This sophisticated and in-depth analysis aptly demonstrates Vlad Dima's grasp of the contentious issues surrounding Mambèty's film legacy as well as the overall perspectives on the degree to which Third Cinema and revolutionary filmmaking fit within an analysis of the Senegalese director's oeuvre."
-James E. Genova, author of Cinema and Development in West Africa

"Vlad Dima's close readings of Mambèty's films sing. His are smart, critically sound interpretations of aesthetically rich and thematically resonant works. This book will surely be of interest to anyone studying movie soundtracks, but it will also interest those who care about the affective dimensions of sound and audition, particularly in the global South."
-Noah Tsika, author of Nollywood Stars

See the publisher website: Indiana University Press

See the complete filmography of Djibril Diop Mambety on the website: IMDB ...

> From the same author:

Meaninglessness:Time, Rhythm, and the Undead in Postcolonial Cinema

Meaninglessness (2022)

Time, Rhythm, and the Undead in Postcolonial Cinema

by Vlad Dima

Subject: Countries > Africa

> On a related topic:

Projections of Dakar:(Re)Imagining Urban Senegal through Cinema

Projections of Dakar (2024)

(Re)Imagining Urban Senegal through Cinema

by Molly Bryson and Molly Krueger Enz

Subject: Countries > Africa

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