Italian Ecocinema Beyond the Human

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by Elena Past

Type: Studies
Subject: Countries > Italy
Keywords: Italy, ecology
Publishing date: 2019
Publisher: Indiana University Press
Collection: New Directions in National Cinemas
Language: English

Relative size

Physical desc.

Hardcover • 226 pages
6 x 9 inches (15.5 x 23 cm)

ISBN

978-0-253-03947-7

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Book Presentation:
Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films—Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)—as case studies to explore pressing environmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice—from sound recording to location scouting to managing a production—helps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world.

About the Author:
Elena Past is Associate Professor of Italian in the Department of Classical and Modern Languages, Literatures, and Cultures at Wayne State University. She is author of Methods of Murder: Beccarian Introspection and Lombrosian Vivisection in Italian Crime Fiction, editor (with Deborah Amberson) of Thinking Italian Animals: Human and Posthuman in Modern Italian Literature and Film, and editor (with Serenella Iovino and Enrico Cesaretti) of Italy and the Environmental Humanities: Landscapes, Natures, Ecologies.

Press Reviews:
"Part memoir, part close analysis of the films themselves, and illustrated with numerous excellent frame grabs, Past's book casts a dreamlike spell as it contemplates the past, present, and future of the cinema and moves smoothly between environmental issues and aesthetic and practical concerns."
-Choice

"[Past] uniquely and innovatively combines film studies and material ecocriticism with a focus on Italy. Such weaving of tales brings the films to life and reads them as ecological documents and Italian stories.
"
-Heather I. Sullivan, author of The Intercontextuality of Self and Nature in Ludwig Tieck's Early Works

"
A timely and incisive study that interrogates a new, though growing, trend in film criticism and makes an important and rich contribution to Italian film studies, Italian cultural studies, and ecocriticism.
"
-Bernadette Luciano, author (with Susanna Scarparo) of Reframing Italy: New Trends in Italian Women's Filmmaking

"Italian Ecocinema is a book of fantastically creative intuitions translated into thorough research and critically solid reflections. If some of Past's initial propositions – for instance, that of Italy's suitability to ecological reflection – may appear as arbitrary or even romanticising, throughout the book they come alive in the writer's careful and detailed exploration of case studies, her willingness to explore tensions and situated historical, geographical and geological, as well as theoretical attention." -Alice Giuliani - University of West London, Studies in European Cinema

See the publisher website: Indiana University Press

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