Les livres en français sont sur www.livres-cinema.info
Sur un thème proche :
Critical Mass (2018)
Social Documentary in France from the Silent Era to the New Wave
de Steven Ungar
Sujet : Genre > Documentary
Cinema's Conversion to Sound (2005)
Technology and Film Style in France and the U.S.
Sujet : History of Cinema
Nouvelles Femmes (2025)
Modern Women of the French New Wave and Their Enduring Contribution to Cinema
Mixed Feelings in France (2025)
White Femininity and Métissage in French Multicultural Comedy
Through a Nuclear Lens (2024)
France, Japan, and Cinema from Hiroshima to Fukushima
The Ethnographic Optic (2024)
Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
The Cinematic Influence (2024)
Interaction and Exchange Between the Cinemas of France and Japan
Gender in French Banlieue Cinema (2024)
Intersectional Perspectives
Dir. Marzia Caporale, Claire Mouflard et Habib Zanzana
The Art of Directing (2023)
A Concise Dictionary of France's Film Directors
Dir. Michaël Abecassis, Marcelline Block et Felicity Chaplin
Republic of Images
A History of French Filmmaking
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Description de l'ouvrage:
Chronicling one of the greatest and most popular national cinemas, Republic of Images traces the evolution of French filmmaking from 1895--the year of the debut of the Cinematographe in Paris--to the present day. Alan Williams offers a unique synthesis of history, biography, aesthetics and film theory. He brings to life all of the major directors, setting before us the cultures from which they emerged, and sheds new light on the landmark films they created. He distills what is historically and artistically unique in each of their careers and reveals what each artist has in common with the forebears and heirs of the craft.
Within the larger story of French cinema, Williams examines the treasury of personal expression, social commentary, and aesthetic exploration that France has produced so consistently and exported so well. It is the tale of an industry rife with crises, and Williams offers a superb narrative of the economic, political, and social forces that have shaped its century-long history. He provides biographical sketches of filmmakers from the early pioneers of the silent era such as Louis Lumi re and Alice Guy to modern directors such as Louis Malle, Claude Chabrol, and Fran ois Truffaut. Some of their careers, he shows, exemplify the significant contributions individuals made to the development of French fllmmaking; others yield illuminating evidence of the problems and opportunities of a whole generation of filmmakers. Throughout, he presents critical analyses of significant films, from The Assassination of the Duc de Guise (1908) to works by the post-nouvelle vague directors.
Williams captures the formal and stylistic developments of film in France over nearly one hundred years. Free of cant and jargon, Republic of Images is the best general account available of the rich interplay of film, filmmaker, and society. It will delight both general reader and student, as well as the viewer en route to the video store.
Quatrième de couverture:
To tell the story of this small but highly visible and influential sector of French cinema requires also to tell the larger story of the industry which allowed-in fact, encouraged- its creation. And so this book includes a great deal of information on French film production in general, particularly at the moments of economic and moral crisis which seem to scan its history, like a strange rhyme scheme, every decade or decade and a half.
Revue de Presse:
The history of French cinema is the history of cinema.
—Nestor Almendros
Voir le site internet de l'éditeur Harvard University Press
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