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City of Screens
Imagining Audiences in Manila's Alternative Film Culture
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Book Presentation:
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising independent cinema movement has been a site of contestation between filmmakers and the state, each constructing different notions of a prospective, national public film audience. Discourses around audiences become more salient given that films by independent Philippine filmmakers are seldom screened to domestic audiences, despite their international success. City of Screens provides a deeper understanding of the debates about the competing roles of the film industry, the public, and the state in national culture in the Philippines and beyond.
About the Author:
Jasmine Nadua Trice is Assistant Professor of Cinema and Media Studies at the University of California, Los Angeles.
Press Reviews:
"From the pirate video stalls of the old city center to the shopping mall multiplexes of Manila, Jasmine Nadua Trice examines the fragmented and multifaceted assemblage of alternative Philippine cinema. Her passionate attention to detail and wide-ranging engagement with critical theory provide a compelling model for the study of cinema cultures in the global South." - Michael Curtin, Distinguished Professor of Film and Media Studies, University of California, Santa Barbara
"Jasmine Nadua Trice persuasively argues that film circulation both envisions and occasionally actualizes the dream of a national film audience for counterdominant cinema in the Philippines. She confronts head-on one of the thorniest problems of politically or aesthetically progressive Philippine film: filmmakers’ attempts to reach the alienated domestic moviegoer. Her fresh, syncretic approach and elegant thinking make City of Screens a groundbreaking, must-read book not only for readers not only interested in Philippine cinema but also for those attuned to the dynamics of distribution, exhibition, and circulation beyond Hollywood. Representing a wholly original and highly generative departure from previous scholarship, City of Screens is a major intervention." - Bliss Cua Lim, author of Translating Time: Cinema, the Fantastic, and Temporal Critique
"Overall, there are a number of themes to appreciate in City of Screens, especially if one is not familiar with local independent cinema and its circuits of distribution. The book’s contribution also lies in its use of interdisciplinarity, applying rhetoric, urban studies, geography, and anthropology to explain why alternative cinema remains limited in its circulation. . . . The book’s most poignant yet most grounded point may be Trice’s assertion that the formation of alternative film culture and speculative publics will remain an asymptotic process—never being fully finished but always within reach." - Cherish Aileen A Brillon, Philippine Studies
"Trice displays a generosity to her marginalized objects of study by offering possible questions and connections instead of forcing predetermined approaches and interpretations. Her book is distinguished by its careful selection of less obvious examples, which are described and analyzed in rich language that yields compelling insights with every reading. . . . With its innovative methods and unexpected ideas, which distill the lost vibrancy of a transitional historical moment, this monograph will reverberate with readers yet to come." - Elmo Gonzaga, Journal of Cinema and Media Studies
See the publisher website: Duke University Press
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