Books in French are on www.livres-cinema.info
Chinese Modernism in the Era of Reforms
Cultural Fever, Avant-Garde Fiction, and the New Chinese Cinema
by Xudong Zhang
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Blending history and theory, Chinese Modernism in the Era of Reforms offers both a historical narrative and a critical analysis of the cultural visions and experiences of China’s post-Mao era. In this volume, Xudong Zhang rethinks Chinese modernism as a historical genre that arose in response to the historical experience of Chinese modernity rather than as an autonomous aesthetic movement. He identifies the ideologies of literary and cultural styles in the New Era (1979–1989) through a critical reading of the various “new waves” of Chinese literature, film, and intellectual discourse.
In examining the aesthetic and philosophical formulations of the New Era’s intellectual elites, Zhang first analyzes the intense cultural and intellectual debates, known as the “Great Cultural Discussion” or “Cultural Fever” that took place in Chinese urban centers in the mid- and late 1980s. Chinese literary modernism is then explored, specifically in relation to Deng Xiaoping’s sweeping reforms and with a focus on the changing literary sensibility and avant-garde writers such as Yu Hua, Ge Fei, and Su Tong. Lastly, Zhang looks at the the making of New Chinese Cinema and films such as Yellow Earth, Horse Thief, and King of the Children—films through which Fifth Generation filmmakers first developed a style independent from socialist realism. By tracing the origins and contemporary elaboration of the idea of Chinese modernism, Zhang identifies the discourse of modernism as one of the decisive formal articulations of the social dynamism and cultural possibilities of post-Mao China.
Capturing the historical experience and the cultural vision of China during a crucial decade in its emergence as a world power, Chinese Modernism in the Era of Reforms will interest students and scholars of modernism, Chinese literature and history, film studies, and cultural studies.
About the Author:
Xudong Zhang is Assistant Professor of Comparative and Chinese Literature at New York University.
Press Reviews:
"A deeply thought-out and intellectually sophisticated exploration of a decade of major cultural and social changes in China . . . . Chinese Modernism in the Era of Reforms is a work of intense scholarship that attacks its subject with vigour and complexity." - , Continuum
"This book offers compelling and brilliant insights . . . . Chinese Modernism in the Era of Reforms is a landmark contribution to the field of modern Chinese studies. Its interdisciplinary and cross-cultural approach will be an impetus to scholarship on China. With broad strokes Zhang delineates the historical and social forces in a dramatic interplay with the aesthetic and discursive modernism. No serious student of contemporary Chinese literature, film, and aesthetics can afford to bypass this book." - Ban Wang, Chinese Literature
"Zhang’s book makes a huge contribution to the discussion of China’s ‘new cinema.’ He succeeds in locating ‘Fifth Generation’ film-making at the heart of his rethinking of Chinese modernism. . . . A real advance in criticism of Chinese films." - Tony Rayns, Sight & Sound
"Zhang’s readings . . . are instructive. This volume examines (1) China’s most erudite 1980s intellectuals’ high theory debates about the future, modernity, Chinese tradition, and culture generally; (2) modernist literature, including ‘Misty Poetry’ (imagist), ‘Root-seeking,’ and late-1980s avant-garde fiction; and (3) China’s internationally acclaimed new cinema." - , Choice
"Chinese Modernism in the Era of Reforms will be a first in its elaboration of the social and symbolic construction of Chinese Modernism, and I expect it to elicit a great deal of lively and provocative discussion." - Wendy Larson, University of Oregon
"Xudong Zhang opens our eyes to the complex cultural and ideological mutations behind the facade of the economic and political ‘modernization’ of China." - David Wang, Columbia University
See the publisher website: Duke University Press
> On a related topic:
Postsocialist Modernity (2008)
Chinese Cinema, Literature, and Criticism in the Market Age
The Urban Generation (2007)
Chinese Cinema and Society at the Turn of the Twenty-First Century
Dir. Zhang Zhen
Chinese Film in the Twenty-First Century (2025)
Movements, Genres, Intermedia
Dir. Corey Schultz and Cecília Mello
Romanian and Chinese Cinemas (2025)
Socialist Affect and Cultural Politics from Maoism to the New Waves
by Lucian Țion
China through the Camera Lens (2024)
A Multimedia Reader for Advanced Chinese
by Shuqin Cui, Ying Gao, Hsin-hsin Liang and Julian K. Wheatley
Back
