Unmediated
Essays on Media, Culture, Cinema
de Sashi Kumar
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage:
This collection of Sashi Kumar's contributions to various journals and magazines for over three decades is informed by his exposure to, quest and passion for, practice in, and contemplation on the media as a broad category of culture and the ecology, and including film, print, television, radio and the net. It is informed too by the author's brief engagement, in between, with advertising across different media, and an entrepreneurial phase of establishing and running a satellite and cable television enterprise at the cusp of the transition from the analogue to the digital.
This is broadly a reflective collection of essays on the media, mediated culture and film/cinema that is Indian and international in its scope. It is not, or about, daily retail journalism. It provides perspective to the agency of the media; aspects of freedom of expression and creativity; coercive and persuasive forces at work in the media and in culture; filmic genres and the oeuvre of distinctive filmmakers; the art, craft and aura of cinema; the emerging media ecology; cognitive shifts triggered by technology; the push and pull of convergence and digitization; the rampantly unequal media order and the rise of digital capitalism; and the new mutuality of the writerly, readerly, aural and oral.
À propos de l'auteur :
Sashi Kumar is a journalist, broadcaster, documentary and feature filmmaker, media thinker, and initiator. He launched the Asianet satellite television channel and cable network in the early 1990s. Towards the end of that decade he founded, and continues to chair, the Media Development Foundation, which runs the Asian College of Journalism, Chennai.
Revue de Presse:
The reader can start or stop at any point as themes are developed and modulated, give way to others, and are then picked up again... from the political and legal through to the aesthetic, sometimes via high but accessible cultural and political theory. The Hindu
Voir le site internet de l'éditeur Tulika Books
> Sur un thème proche :
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
Ways of Remembering (2024)
Law, Cinema and Collective Memory in the New India
Postcolonial Bollywood and Muslim Identity (2024)
Production, Representation, and Reception
Visual Anthropology of Indian Films (2024)
Religious Communities and Cultural Traditions in Bollywood and Beyond
Dir. Pankaj Jain
Bollywood and Globalization (2015)
The Global Power of Popular Hindi Cinema
Dir. David J. Schaefer et Kavita Karan