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The Hitchcock Annual Anthology

Selected Essays from Volumes 10–15

Edited by Sidney Gottlieb and Richard Allen

Type
Essays
Subject
DirectorAlfred Hitchcock
Keywords
Alfred Hitchcock
Publishing date
2009
Publisher
Hitchcock Annual
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 224 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-905674-96-1
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Book Presentation:
For more than fifteen years the Hitchcock Annual has offered groundbreaking and authoritative scholarship on Hitchcock, becoming the journal of record for Hitchcock studies. Wallflower Press is proud to announce a new partnership with this prestigious publication, resulting in The Hitchcock Annual Anthology, which features contributions from such leading critics as Charles Barr, Thomas Elsaesser, Bill Krohn, Mark Rappaport, Michael Walker, Robin Wood, and Slavoj Zizek. The anthology includes essays on Hitchcock's entire oeuvre, from his early silents to his late American masterpieces, and overviews of Hitchcock criticism, as well as interviews with and discussions between Hitchcock's collaborators.

About the authors:
Richard Allen is professor and chair of cinema studies at New York University. He is the author of Hitchcock's Romantic Irony (2007) and co-editor of Alfred Hitchcock: Centenary Essays (1999) and Hitchcock: Past and Future (2003).Sidney Gottlieb is professor of media studies and digital culture at Sacred Heart University. He is the editor of Hitchcock on Hitchcock: Selected Writings and Interviews (1997) and Alfred Hitchcock: Interviews (2003), and co-editor of Framing Hitchcock (2002).

See the publisher website: Hitchcock Annual

See the complete filmography of Alfred Hitchcock on the website: IMDB ...

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Framing Hitchcock:Selected Essays from the Hitchcock Annual

Framing Hitchcock (2002)

Selected Essays from the Hitchcock Annual

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Hitchcock On Hitchcock:Selected Writings And Interviews

Hitchcock On Hitchcock (1997)

Selected Writings And Interviews

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Projecting illusion:film spectatorship and the impression of reality

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