Books in French are on www.livres-cinema.info
Science Fiction Cinema
From Outerspace to Cyberspace
by Geoff King and Tanya Krzywinska
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
This book charts the dimensions of one of the most popular genres in the cinema. From lurid comic-book blockbusters to dark dystopian visions, science fiction is seen as both a powerful cultural barometer of our times and the product of particular industrial and commercial frameworks. The authors outline the major themes of the genre, from representations of the mad scientist and computer hacker to the relationship between science fiction and postmodernism, exploring issues such as the meaning of special effects and the influence of science fiction cinema on the entertainment media of the digital age. Over one hundred films are discussed and the book concludes with an extensive case study of Star Wars I: The Phantom Menace.
About the authors:
Both authors lecture in film and television studies at Brunel University, London. Geoff King has written on contemporary Hollywood cinema and cultural studies. Tanya Krzywinska has written on explicit sex films and the cinema of the occult.
See the publisher website: Wallflower Press
> Books with the same or similar title:
> From the same authors:
Arthouse Crime Scenes (2024)
Art Film, Genre and Crime in Contemporary World Cinema
by Geoff King
Subject: Sociology
The Cinema of Discomfort (2023)
Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film
by Geoff King
Subject: Genre > Independent cinema
Indie 2.0 (2014)
Change and Continuity in Contemporary American Indie Film
by Geoff King
Subject: Genre > Independent cinema
> On a related topic:
Societies in Space (2025)
Essays on the Civilized Frontier in Film and Television
Dir. Gary Westfahl
Subject: Genre > Science Fiction
Amazing Worlds of Science Fiction and Science Fact (2025)
by Keith Cooper
Subject: Genre > Science Fiction
Robots That Love (2025)
Artificial Amours in Myth, Folklore, Literature, Popular Culture and the Real World
Subject: Genre > Science Fiction
The Future Was Now (2025)
Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Subject: Genre > Science Fiction
The Science Fiction Film in Contemporary Hollywood (2025)
A Social Semiotics of Bodies and Worlds
Subject: Genre > Science Fiction
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction
World Gone Wild, Restocked and Reloaded 2nd Edition (2024)
A Survivor's Guide to Post-Apocalyptic Movies
Subject: Genre > Science Fiction
Science Fiction against the Margins (2024)
Cinematic Futures, Global Imaginaries
Dir. Chon A. Noriega, Maya Montañez Smukler and Nicole Ucedo
Subject: Genre > Science Fiction
The New Routledge Companion to Science Fiction (2024)
Dir. Mark Bould, Andrew Butler and Sherryl Vint
Subject: Genre > Science Fiction
Using Declarative Mapping Sentences in Psychological Research (2024)
Applying Facet Theory in Multi-Componential Critical Analyses of Female Representation in Science Fiction Film and TV
by Paul M.W. Hackett and Chenwei Li
Subject: Genre > Science Fiction
Back
