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I-Docs

The Evolving Practices of Interactive Documentary

Sous la direction de Judith Aston, Sandra Gaudenzi et Mandy Rose

Type
Studies
Sujet
GenreDocumentary
Mots Clés
documentary, interactive
Année d'édition
2017
Editeur
Wallflower Press
Collection
Nonfictions
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 312 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-0-231-18122-8
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Description de l'ouvrage:
The history of documentary has been one of adaptation and change, as docu-mentarists have harnessed the affordances of emerging technology. In the last decade interactive documentaries (i-docs) have become established as a new field of practice within non-fiction storytelling. Their various incarnations are now a focus at leading film festivals (IDFA DocLab, Tribeca Storyscapes, Sheffield DocFest), major international awards have been won, and they are increasingly the subject of academic study. This anthology looks at the creative practices, purposes and ethics that lie behind these emergent forms. Expert contributions, case studies and interviews with major figures in the field address the production processes that lie behind interactive documentary, as well as the political, cultural and geographic contexts in which they are emerging and the media ecology that supports them. Taking a broad view of interactive documentary as any work which engages with 'the real' by employing digital interactive technology, this volume addresses a range of platforms and environments, from web-docs and virtual reality to mobile media and live performance. It thus explores the challenges that face interactive documentary practitioners and scholars, and proposes new ways of producing and engaging with interactive factual content.

À propos des auteurs :
Judith Aston is a Senior Lecturer at the University of the West of England. Sandra Gaudenzi is a Senior Lecturer at the University of Westminster. Mandy Rose is an Associate Professor at the University of the West of England. All three have published widely in the field of digital documentary theory and practice, and are co-directors of the i-Docs bi-annual symposium.

Revue de Presse:
i-Docs, web docs, interactive docs, database docs, nonlinear stories, procedural narratives; the sheer variety of neologisms in circulation right now is indicative of an exciting, if turbulent, economy of documentary-oriented new media forms. This timely, original collection captures much of this uncertainty and excitement, with contributions from some of the key thinkers in what we might call 'new documentary studies.' Professor Matt Soar, Concordia University

Voir le site internet de l'éditeur Wallflower Press

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