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Twenty-First-Century Hollywood

Rebooting the System

de Neil Archer

Type
Studies
Sujet
Economics
Mots Clés
economics, Hollywood, 21st century, Studio
Année d'édition
2019
Editeur
Wallflower Press
Collection
Short Cuts
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 144 pages
5 ½ x 8 ¾ inches (14 x 22 cm)
ISBN
978-0-231-19159-3
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Description de l'ouvrage:
Twenty-First-Century Hollywood looks into the contexts of studio film production in the new century in order to understand what shapes the style and content of present-day cinema. In an era dominated in box-office terms by the franchise and the family film, this book combines close textual readings and industrial analysis, illustrating why these kinds of movies are favored in the contemporary climate by producers and audiences alike. Neil Archer critically explores the narrative and aesthetic strategies at work in Hollywood’s most high-profile films, from Harry Potter, to Marvel’s Cinematic Universe, to The Lego Movie. Along the way, the book answers some often unexpected questions: Why is Hollywood nervous about flying saucers? Why might the cinematic auteur be Hollywood’s savior? And why are the most grown-up movies those made for children? As this study shows, like the films themselves, the answers to these questions are often complex and surprising.

À propos de l'auteur :
Neil Archer is a lecturer in film at Keele University. He is the author of The Road Movie: In Search of Meaning (Wallflower, 2016), Hot Fuzz (Auteur, 2015), and The Bourne Ultimatum (Auteur, 2012).

Revue de Presse:
Surveying the industrial landscape and the dominant formal-aesthetic issues at stake, Twenty-First-Century Hollywood offers an insightful and engaging synthesis of many of the most important approaches to contemporary Hollywood. Archer's close readings and case studies persuasively demonstrate how forces such as marketing, synergy, and franchising have shaped many recent Hollywood films. Tom Schatz, University of Texas at Austin

Voir le site internet de l'éditeur Wallflower Press

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