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Projections of War
Hollywood, American Culture, and World War II, revised and updated edition
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Book Presentation:
Thomas Doherty reveals how and why Hollywood marshaled its artistic resources on behalf of the war effort and interprets the cultural meanings and enduring legacies of the motion picture record of the war years. He explains the social, political, and economic forces that created such genre classics as Mrs. Miniver, as well as comedies, musicals, newsreels, documentaries, cartoons, and army training films. He examines the Hollywood Production Code, government propaganda films, the portrayal of women and minorities in films of the period, and Hollywood's role in World War I and Vietnam.
This revised edition includes new sections exploring the recent resurgence of interest in World War II films, including Saving Private Ryan and The Thin Red Line.
Thomas Doherty reveals how and why Hollywood marshaled its artistic resources on behalf of the war effort and interprets the cultural meanings and enduring legacies of the motion picture record of the war years. He explains the social, political, and economic forces that created such genre classics as Mrs. Miniver, as well as comedies, musicals, newsreels, documentaries, cartoons, and army training films. He examines the Hollywood Production Code, government propaganda films, the portrayal of women and minorities in films of the period, and Hollywood's role in World War I and Vietnam.
This revised edition includes new sections exploring the recent resurgence of interest in World War II films, including Saving Private Ryan and The Thin Red Line.
About the Author:
Thomas Doherty is associate professor of the American Studies Department and chair of the Film Studies Program at Brandeis University. He is author of Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934 (Columbia, 1999) and Teenagers and Teenpics: The Juvenilizatzion of American Movies in the 1950s, and is associate editor of the film journal Cinéaste.
Press Reviews:
A wide-ranging, lively study which combines close readings of various key films with discussions of genre, ethnicity, and beauracracy.... [A] vivid blend of polemic and social history. Times Literary Supplement
This is a model social history of war movies—both a penetrating examination of Hollywood at war and a bracing argument about the effects of the war on the nature of Hollywood entertainment. Kirkus Reviews
See the publisher website: Columbia University Press
> From the same author:
Hollywood's Censor (2007)
Joseph I. Breen and the Production Code Administration
Pre-Code Hollywood (1999)
Sex, Immorality, and Insurrection in American Cinema, 1930-1934
> On a related topic:
Hollywood Victory (2021)
The Movies, Stars, and Stories of World War II
The Hell of War Comes Home (2019)
Imaginative Texts from the Conflicts in Afghanistan and Iraq
Subject: Sociology
Promises of Citizenship (2019)
Film Recruitment of African Americans in World War II
Subject: History of Cinema
Hollywood Goes to War (1990)
How Politics, Profits and Propaganda Shaped World War II Movies
by Clayton R. Koppes and Gregory D. Black
Subject: History of Cinema
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