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Bollywood and Postmodernism
Popular Indian Cinema in the 21st Century
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Description de l'ouvrage:
Re-examines contemporary Bollywood films using postmodernist film theory
‘New Bollywood’ has arrived, but its postmodern impulse often leaves film scholars reluctant to theorise its aesthetics. How do we define the style of a contemporary Bollywood film? Are Bollywood films just uninspired Hollywood rip-offs, or does their borrowing signal genuine innovation within the industry?
Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this innovative study reveals how Indian cinema has changed in the 21st century. Equipping readers with an alternative method of reading contemporary Indian cinema, Bollywood and Postmodernism takes Indian film studies beyond the exhausted theme of diaspora, and exposes a new decade of aesthetic experimentation and textual appropriation in mainstream Bombay cinema.
A bold celebration of contemporary Bollywood texts, this book radically redefines Indian film and persuasively argues for its seriousness as a field of study in world cinema.
Key Features:
• One of the first books to identify and establish a new kind of Bollywood cinema emerging in the 2000s
• Includes case studies of commercially successful yet academically under-acknowledged postmodern Bollywood films and cross-cultural remakes
• Conducts a detailed study of Bollywood’s formal aesthetic changes by breaking its film language down into a series of postmodern traits
À propos de l'auteur :
Neelam Sidhar Wright is an Independent Academic Researcher. She has taught Film and Media Studies at the University of Sussex and has previously worked in various film production and media roles, and as a freelance filmmaker.
Voir le site internet de l'éditeur Edinburgh University Press
> Sur un thème proche :
Bollywood's New Woman (2021)
Liberalization, Liberation, and Contested Bodies
Dir. Megha Anwer et Anupama Arora
Dark Fear, Eerie Cities (2019)
New Hindi Cinema in Neoliberal India
The Politics of Hindi Cinema in the New Millennium (2014)
Bollywood and the Anglophone Indian Nation
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
Déjà Viewed (2025)
Nation, Gender, and Genre in Bollywood Remakes of Hollywood Cinema
The Neoliberal Self in Bollywood (2024)
Cinema, Popular Culture, and Identity
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