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The New Soundtrack
Volume 7, Issue 1
de Stephen Deutsch, Larry Sider et Dominic Power
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Description de l'ouvrage:
Assesses concepts of hearing and listening across multiple fields, from both practitioners and academics
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. This issue looks at concepts of hearing and listening and looks at nature documentaries, sonic interactions, production hierarchy in television, and the use of macro-sounds to present the inside of bodies.
Key Features
• Brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images.
• Covers a wide range of topics, including filmmaking, production, documentaries and macro-sounds.
• Provides a new platform for discourse on how aural elements combine with moving images.
À propos des auteurs :
Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School.
Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School.
Dominic Power is an independent writer and film historian.
Voir le site internet de l'éditeur Edinburgh University Press
> Livres ayant un titre identique ou proche :
> Des mêmes auteurs :
> Sur un thème proche :
After the Silents (2014)
Hollywood Film Music in the Early Sound Era, 1926-1934
Sound Design is the New Score (2019)
Theory, Aesthetics, and Erotics of the Integrated Soundtrack
Situated Listening (2016)
The Sound of Absorption in Classical Cinema
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