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Douglas Sirk, Aesthetic Modernism and the Culture of Modernity
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Book Presentation:
Examines the influence of modernist art and architecture on the work of American director Douglas Sirk
The first truly interdisciplinary analysis to link Douglas Sirk's striking visual aesthetic to key movements in twentieth century art and architecture, this book reveals how the exaggerated artifice of Sirk’s formal style emerged from his detailed understanding of the artistic debates that raged in 1920s Europe and the post-war United States. With detailed case studies of Final Chord and All That Heaven Allows, Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films. Treating Sirk’s oeuvre as a continuum between his German and American periods, Evans argues that his mise-en-scène was the result of an interdisciplinary, transnational dialogue, and illuminates the broader cultural context in which his films appeared by establishing links between archival documents, Modernist manifestos and the philosophical writings of his peers.
About the Author:
Dr Victoria Evans is the main programmer for the Dunedin Film Society and an organiser for the New Zealand International Film Festival. She is also on the national management committee of the New Zealand Federation of Film Societies. She received her phD from the University of Otago in 2008.
Press Reviews:
It has been said that many books should be written on any one auteur. Victoria L. Evans in Douglas Sirk: Aesthetic Modernism and the Culture of Modernity underscores this point. At once elegant and rigorous, Evans's attention to aesthetic, art-historical, and architectural detail make returning to Douglas Sirk a journey in intellectual delights. This book is a treasure for film studies.– Professor David A. Gerstner, CUNY
See the publisher website: Edinburgh University Press
See the complete filmography of Douglas Sirk on the website: IMDB ...
> On a related topic:
The Films of Douglas Sirk (2019)
Exquisite Ironies and Magnificent Obsessions
by Tom Ryan
Subject: Director > Douglas Sirk
Sirk on Sirk (1997)
Conversations with Jon Halliday
by Douglas Sirk and Jon Halliday
Subject: Director > Douglas Sirk
Filming the City (2016)
Urban Documents, Design Practices and Social Criticism through the Lens
Dir. Edward Clift, Mirko Guaralda and Ari Mattes
Subject: Technique > Aesthetics
Theorizing Film Through Contemporary Art (2020)
Expanding Cinema
Dir. Jill Murphy and Laura Rascaroli
Subject: Theory
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