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Blood on the Lens
Trauma and Anxiety in American Found Footage Horror Cinema
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Description de l'ouvrage:
Connects the found footage horror subgenre to significant traumatic events and societal anxieties in American history and contemporary America
• Explores how the most visually recognisable post-millennial subgenre engages with cultural trauma
• Demonstrates how found footage horror continues to offer new thematic and aesthetic ways of confronting and working through trauma and anxiety
• Analyses a range of key films (both mainstream and lesser known titles), and key movements in the subgenre (for example the movement from documentary conventions to social media aesthetics)
• Identifies how significant cultural events have impacted on, and been integrated within, found footage horror
• Examines the subgenre in a post-cinematic age, where cinema is no longer the dominant cultural spectacle it once was
Through an identification of key case studies both mainstream and lesser known, Blood on the Lens: Trauma and Anxiety in American Found Footage Horror Cinema argues that found footage horror cinema is uniquely able to confront a pervasive contemporary culture of anxiety and trauma. This book traces how and why the subgenre has continued to endure, even as we enter a post-cinematic landscape.
Through three distinct sections, Blood on the Lens proposes key observations on the found footage horror subgenre. She questions how these films engage with national trauma, the common themes of this body of films and how they relate to wider anxieties. In addition, McMurdo investigates the effect various cultural movements have had on the aesthetics of found footage horror, how these films position their spectator and encourage an active viewing mode, and how the line between fiction and fact is blurred both paratextually and within the films themselves.
À propos de l'auteur :
Shellie McMurdo lectures at the University of Hertfordshire, and is a co-convenor of the BAFTSS Horror Studies Special Interest Group. She is the author of Devil’s Advocates: Pet Sematary. Shellie has also published on the true crime fandom, school shooters and American Horror Story, post-peak torture horror, and the role of found footage horror in Blumhouse Productions. Her research focuses on contemporary North American horror cinema, cultural trauma, and the use of analogue media in horror narratives.
Revue de Presse:
In Blood on the Lens, McMurdo provides an engaging and lively analysis of the found footage subgenre, often reviled as derivative or lazy filmmaking. McMurdo observes how found footage films blur the boundaries between truth and fiction to pose key questions about our increasingly mediated view of the world. This is an essential book for anyone interested in horror or in the ways cinema helps us respond to moments of trauma and uncertainty.
– Kendall Phillips, Syracuse University
With Blood on the Lens, Shellie McMurdo is set to become the leading voice on Found Footage Horror, offering an impressive reassessment of this often-maligned sub-genre. Covering a rich spectrum of cinema, McMurdo explores the genre’s aesthetic diversity, technological virtuosity, and nuanced socio-historical meaning. A must-read for the horror fan.
– Stacey Abbott, Professor of Film and Television and author of Undead Apocalypse
Voir le site internet de l'éditeur Edinburgh University Press
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Japanese and American Horror (2014)
A Comparative Study of Film, Fiction, Graphic Novels and Video Games
Fright Night on Channel 9 (2011)
Saturday Night Horror Films on New York's WOR-TV, 1973–1987
de James Arena
Nightmares in Red, White and Blue (2004)
The Evolution of the American Horror Film
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