Books in French are on www.livres-cinema.info
On a related topic:
The Screen Censorship Companion (2024)
Critical Explorations in the Control of Film and Screen Media
Dir. Daniel Biltereyst and Ernest Mathijs
Subject: Sociology
Hollywood Diplomacy (2020)
Film Regulation, Foreign Relations, and East Asian Representations
Subject: Sociology
Hollywood Hates Hitler! (2020)
Jew-Baiting, Anti-Nazism, and the Senate Investigation Into Warmongering in Motion Pictures
Subject: History of Cinema
Monitoring the Movies (2017)
The Fight over Film Censorship in Early Twentieth-Century Urban America
Subject: Silent Cinema
Better Left Unsaid (2015)
Victorian Novels, Hays Code Films, and the Benefits of Censorship
by Nora Gilbert
Subject: Sociology
Cinema Civil Rights (2015)
Regulation, Repression, and Race in the Classical Hollywood Era
Subject: Sociology
Film Regulation in a Cultural Context
by Daniel Sacco
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Book Presentation:
This book examines a sampling of cinematic works that provoked censorious impulses throughout the shift away from formal film censorship in the late modern West. The public controversies surrounding Fat Girl, Irreìversible, Ken Park, The Brown Bunny, Wolf Creek, and Welcome to New York, each highlight significant stages in this cultural shift, which necessitated policy revision within the institutions of formal film censorship in Britain, Canada, and Australia. Parallels and distinctions are drawn between governmental film regulation policies in these countries and social control mechanisms at work within a wider network of institutions, including news media, film festivals, and advocacy groups. The study examines the means by, and ends to, which the social control of film content persists in the "post-censorship" media landscape of Britain, Canada, Australia, and the United States, and how concepts of film "classification" manifest in commercial market contexts, journalistic criticism, and practices of distribution and advertising.
About the Author:
Daniel Sacco is an Instructor in the Bachelor of Creative Arts Program at Yorkville University
Press Reviews:
A rich multi-modal account of international censorship as the conceptual and historical backdrop to films that linger at the far reaches of notoriety. Measured and thoughtful about this most heated of global conversations, this is essential reading for anyone engaged by limit cases of media representation. -- Tim Palmer, Author of Brutal Intimacy: Analyzing Contemporary French Cinema and Irreversible
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