Books in French are on www.livres-cinema.info
MENU   

The Cinema of Ozu Yasujiro

Histories of the Everyday

by Woojeong Joo

Type
Studies
Subject
DirectorYasujirô Ozu
Keywords
Yasujirô Ozu, director, Japan
Publishing date
2017
Publisher
Edinburgh University Press
Collection
Edinburgh Studies in East Asian Film
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 288 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-7486-9632-1
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
A re-interpretation of the master of Japanese cinema from a socio-historical perspective

One of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. This book offers a new interpretation of Ozu’s career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozu’s depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozu’s work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to post-war Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a ground-breaking new study of a master of cinema.

Case studies include:
• Ozu’s shōshimin films
• Ozu’s wartime films, including the script of The Flavour of Green Tea over Rice
• Postwar script of The Moon Has Risen
Tokyo Story

About the Author:
Woojeong Joo received his PhD degree from University of Warwick. He worked at University of East Anglia as a postdoctoral research assistant for AHRC funded project, ‘Manga to Movies’, and is currently teaching in Japan-in-Asia Cultural Studies Program at Nagoya University, Japan.

Press Reviews:
Joo is a perceptive viewer of Ozu’s films, particularly skilled at the structural analysis of narrative and character.[...] a major contribution to the field.– Michael Raine, Western University, Monumenta Nipponica

Woojeong Joo’s new study of Ozu is one of the most precise and nuanced accounts of the director’s cinema to date…an admirable book.'– Alexander Jacoby, Sight and Sound

This is a groundbreaking publication that is going to make a significant contribution to English language scholarship on one of the most important directors in international film history. Woojeong Joo’s patient and attentive focus on the shifting stylistic and contextual elements of Ozu’s vast filmography uncovers a textured and highly nuanced tapestry of Japanese social experience. This book is a wise riposte to Paul Schrader’s misleading dictum that ‘in the everyday nothing is expressive, all is coldness.’ Far from it, Joo argues. For Ozu, the everyday was the key location where form, feeling and history found their most meaningful and enduring coalescence.– Dr Alastair Phillips, University of Warwick

See the publisher website: Edinburgh University Press

See the complete filmography of Yasujirô Ozu on the website: IMDB ...

> On a related topic:

Reorienting Ozu:A Master and His Influence

Reorienting Ozu (2018)

A Master and His Influence

Dir. Jinhee Choi

Subject: Director > Yasujirô Ozu

Ishiro Honda:A Life in Film, from Godzilla to Kurosawa

Ishiro Honda (2023)

A Life in Film, from Godzilla to Kurosawa

by Steve Ryfle and Ed Godziszewski

Subject: Director > Ishirô Honda

The Russian Kurosawa:Transnational Cinema, or the Art of Speaking Differently

The Russian Kurosawa (2023)

Transnational Cinema, or the Art of Speaking Differently

by Olga V. Solovieva

Subject: Director > Akira Kurosawa

Killers, Clients and Kindred Spirits:The Taboo Cinema of Shohei Imamura

Killers, Clients and Kindred Spirits (2019)

The Taboo Cinema of Shohei Imamura

Dir. Lindsay Coleman and David Desser

Subject: Director > Shôhei Imamura

Tanaka Kinuyo:Nation, Stardom and Female Subjectivity

Tanaka Kinuyo (2018)

Nation, Stardom and Female Subjectivity

Dir. Irene González-López and Michael Smith

Subject: Director > Kinuyo Tanaka

11749 books listed   •   (c)2024-2025 cinemabooks.info   •