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Asian Cinema
A Regional View
de Olivia Khoo
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Description de l'ouvrage:
Studies the dynamic industrial and cultural transformations that have produced a regional Asian cinema in the last three decades
• Includes case studies that illustrate collaborative models of film production, distribution, exhibition and reception that have shaped a regional Asian cinema in the last three decades
• Offers a new framework that synthesises Euro-American film studies approaches and inter-Asia cultural studies methodologies
• Contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies
Asia’s film industries have undergone significant transformation in the last 30 years. From bilateral co-production agreements to pan-Asian financing, Asian cinema has assumed a regional identity well beyond its constituent national cinemas.
This book explores the collaborative models of film production, distribution, exhibition and reception that have enabled greater co-operation and integration between Asia’s film industries. In doing so, it contributes to the burgeoning international fields of transnational and world cinema, providing a fresh perspective on Asian cinema through the lens of comparative film studies.
À propos de l'auteur :
Dr Olivia Khoo is Associate Professor of Film and Screen Studies at Monash University
Revue de Presse:
[...] offers a complex critical study of the production, distribution, exhibition, and reception of film in Asia. [...] Khoo’s analysis is insightful, moving from the interconnectedness of Asian film industries to close readings of individual films. [...] Highly recommended.– K. J. Wetmore Jr., Loyola Marymount University, CHOICE February 2022 Vol. 59 No. 6
Asian Cinema: A Regional View is a turning point. It replaces the idea of Asian cinema as a set of national cinemas with a proliferation of transborder linkages across the region. Its chapters on regional co-productions, remakes, film festivals, streaming services, cinema archives and more will fundamentally change how we perceive Asian cinema.– Chris Berry, King’s College London, co-editor of Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes.
Voir le site internet de l'éditeur Edinburgh University Press
> Livres ayant un titre identique ou proche :
> Du même auteur :
Futures of Chinese Cinema (2009)
Technologies and Temporalities in Chinese Screen Cultures
Dir. Olivia Khoo et Sean Metzger
> Sur un thème proche :
Theorizing Colonial Cinema (2022)
Reframing Production, Circulation, and Consumption of Film in Asia
Dir. Nayoung Aimee Kwon, Takushi Odagiri et Moonim Baek
Exploring Morality and Sexuality in Asian Cinema (2020)
Cinematic Boundaries
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