Films that Work
Industrial Film and the Productivity of Media
Sous la direction de Vinzenz Hediger et Patrick Vonderau
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage:
The history of industrial films – an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved – seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson and Alain Resnais. This is the first full-length book, anthology, and annotated bibliography to analyse the industrial film and its remarkable history. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, this remarkable volume brings together renowned scholars such as Rick Prelinger and Thomas Elsaesser in a discussion of the radical potential and new possibilities in considering the history of this unexplored corporate medium.
À propos des auteurs :
Patrick Vonderau is Professor of Media and Communication Studies at the University of Halle, Germany.
Vinzenz Hediger is professor of cinema studies at Goethe University Frankfurt, where he directs the Graduate Research Training Program Configurations of film (www.konfigrationen-des-films.de). His publications include Films that Work. Industrial Film and the Productivity of Media (Amsterdam University Press 2009, with Patrick Vonderau) and Essays zur Filmphilosophie (Fink 2015, with Lorenz Engell, Oliver Fahle and Christiane Voss). He is a co-founder of NECS – European Network of Cinema and Media Studies (www.necs.org) and the founding editor of Zeitschrift für Medienwissenschaft (www.zfmedienwissenschaft.de).
Voir le site internet de l'éditeur Amsterdam University Press
> Des mêmes auteurs :
Films That Work Harder (2023)
The Circulation of Industrial Film
Dir. Vinzenz Hediger, Florian Hoof et Yvonne Zimmermann
Sujet : Economics
Accidental Archivism (2023)
Shaping Cinema’s Futures with Remnants of the Past
Dir. Stefanie Schulte Strathaus et Vinzenz Hediger
Sujet : History of Cinema
Preserving and Exhibiting Media Art (2013)
Challenges and Perspectives
de Julia Noordegraaf, Cosetta G. Saba, Barbara Le Maitre et Vinzenz Hediger
Sujet : Economics
> Sur un thème proche :
The Representation of Perpetrators in Global Documentary Film (2025)
Dir. Fernando Canet
Sujet : Genre > Documentary
The Documentary Audit (2025)
Listening and the Limits of Accountability
de Pooja Rangan
Sujet : Genre > Documentary
The Heroic Age of Antarctic Exploration on Film and Television, Volume 2 (2025)
Scott and Amundsen
de John Atkins
Sujet : Genre > Documentary
Women and Global Documentary (2025)
Practices and Perspectives in the 21st Century
Dir. Najmeh Moradiyan-Rizi et Shilyh Warren
Sujet : Genre > Documentary
The Heroic Age of Antarctic Exploration on Film and Television, Volume 1 (2025)
Ernest Shackleton
de John Atkins
Sujet : Genre > Documentary
Between Reality and Documentary (2025)
A Historical Representation of Gaza Refugees in Colonial, Humanitarian and Palestinian Documentary Film
Sujet : Genre > Documentary
The Oxford Handbook of American Documentary (2025)
Dir. Joshua Glick et Patricia Aufderheide
Sujet : Genre > Documentary