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Non-Fiction Cinema in Postwar Europe

Visual Culture and the Reconstruction of Public Space

by Lucie Cesálková, Johannes Praetorius-Rhein, Perrine Val and Paolo Villa

Type
Studies
Subject
GenreDocumentary
Keywords
documentary, Europe, 1940s, 1950s, role of cinema
Publishing date
2024 (October 21, 2024)
Publisher
Amsterdam University Press
Collection
Film Culture in Transition
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 508 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-94-6372-558-3
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Book Presentation:
After WWII, cinema was everywhere: in movie theatres, public squares, factories, schools, trial courts, trains, museums, and political meetings. Seen today, documentaries and newsreels, as well as the amateur production, show the kaleidoscopic portrait of a changing Europe. How did these cinematic images contribute to shaping the new societies emerging from the ashes of war, both in the Western and in the Eastern bloc? Why were they so crucial in framing and regulating new places and practices, political systems, economic dynamics, educational frameworks, and memory communities? This edited volume explores the multiple ways nonfiction cinema reconfigured public spaces, collective participation, democratisation, and governmentality between 1944 and 1956. Looking back at it through a transnational perspective and the critical category of spatiality, nonfiction cinema appears in a new light: simultaneously as a specifically situated and as a highly mobile medium, it was a fundamental agent in reshaping Europe's shared identity and culture in a defining decade.

See the publisher website: Amsterdam University Press

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