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Native Apparitions
Critical Perspectives on Hollywood's Indians
Edited by Steve Pavlik, M. Elise Marubbio and Tom Holm
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Book Presentation:
In Cherokee, the term for motion picture is a-da-yv-la-ti or a-da-yu-la-ti, meaning “something that appears.” In essence, motion pictures are machine-produced apparitions. While the Cherokee language recognizes that movies are not reality, Western audiences may on some level assume that film portrayals offer sincere depictions of imagined possibilities, creating a logic where what is projected must in part be true, stereotype or not.
Native Apparitions offers a critical intervention and response to Hollywood’s representations of Native peoples in film, from historical works by director John Ford to more contemporary works, such as Apocalypto and Avatar. But more than a critique of stereotypes, this book is a timely call for scholarly activism engaged in Indigenous media sovereignty. The collection clusters around three approaches: retrospective analysis, individual film analysis, and Native- and industry-centered testimonials and interviews, which highlight indigenous knowledge and cultural context, thus offering a complex and multilayered dialogic and polyphonic response to Hollywood’s representations.
Using an American Indian studies framework, Native Apparitions deftly illustrates the connection between Hollywood’s representations of Native peoples and broader sociopolitical and historical contexts connected to colonialism, racism, and the Western worldview. Most importantly, it shows the impact of racializing stereotypes on Native peoples, and the resilience of Native peoples in resisting, transcending, and reframing Hollywood’s Indian tropes.
CONTRIBUTORS
Chadwick Allen
Richard Allen
Joanna Hearne
Tom Holm
Jan-Christopher Horak
Jacqueline Land
Andrew Okpeaha MacLean
M. Elise Marubbio
Steve Pavlik
Rose Roberts
Myrton Running Wolf
Richard M. Wheelock
About the authors:
Steve Pavlik was an instructor at Northwest Indian College in Bellingham, Washington. He was the author of many books, including Navajo and the Animal People: Native American Traditional Ecological Knowledge and Ethnozoology. M. Elise Marubbio is an associate professor of American Indian Studies and the director of the Augsburg Native American Film Series at Augsburg College. She is the author of Killing the Indian Maiden: Images of Native American Women in Film and co-editor of Native Americans on Film: Conversations, Teaching, and Theory. Tom Holm, an enrolled Cherokee and a Creek descendant, is professor emeritus of American Indian studies at the University of Arizona. His publications include Anadarko, The Osage Rose, Code Talkers and Warriors: Native Americans and World War II, The Great Confusion in Indian Affairs: Native Americans and Whites in the Progressive Era, and Strong Hearts, Wounded Souls: Native American Veterans of the Vietnam War.
Press Reviews:
"A welcome and important addition to film studies and Indigenous studies, this timely and valuable collection brings together 11 original essays on American Indians and film to offer fresh assessments of representation, media, and indigeneity."—Choice
"This text tirelessly brings Hollywood to account for its racism and sexism by accurately crediting American Indian studies as a discipline for pioneering the focus on accountability. The role of media in our contemporary world is becoming ever more pervasive. This work takes seriously the responsibility to question how we as Indigenous individuals are depicted. It stands up to the stereotyping monster: film."—NAIS
See the publisher website: University of Arizona Press
> From the same authors:
Native Americans on Film (2013)
Conversations, Teaching, and Theory
Dir. M. Elise Marubbio and Eric L. Buffalohead
Subject: Sociology
> On a related topic:
American Indians at the Margins (2022)
Racist Stereotypes and Their Impacts on Native Peoples
Subject: Sociology
Reservation Reelism (2013)
Redfacing, Visual Sovereignty, and Representations of Native Americans in Film
Subject: Sociology
Hollywood's Indian (2003)
The Portrayal of the Native American in Film
Dir. Peter C. Rollins and John E. O'Connor
Subject: Sociology
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