Books in French are on www.livres-cinema.info
MENU   

The Philosophy of J.J. Abrams

Edited by Patricia Brace and Robert Arp

Type
Studies
Subject
DirectorJ.J. Abrams
Keywords
J.J. Abrams, philosophy, director
Publishing date
2014
Publisher
University Press of Kentucky
Collection
Philosophy of Popular Culture
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 380 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-8131-4530-3
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
American auteur Jeffrey Jacob "J. J." Abrams's genius for creating densely plotted scripts has won him broad commercial and critical success in TV shows such as Felicity (1998–2002), Emmy-nominated Alias (2001–2006), Emmy and Golden Globe-winning Lost (2004–2010), and the critically acclaimed Fringe (2008–2013). In addition, his direction in films such as Cloverfield (2008), Super 8 (2011), and the new Mission Impossible and Star Trek films has left fans eagerly awaiting his revival of the Star Wars franchise. As a writer, director, producer, and composer, Abrams seamlessly combines geek appeal with blockbuster intuition, leaving a distinctive stamp on all of his work and establishing him as one of Tinsel Town's most influential visionaries.

In The Philosophy of J.J. Abrams, editors Patricia L. Brace and Robert Arp assemble the first collection of essays to highlight the philosophical insights of the Hollywood giant's successful career. The filmmaker addresses a diverse range of themes in his onscreen pursuits, including such issues as personal identity in an increasingly impersonal digitized world, the morality of terrorism, bioethics, friendship, family obligation, and free will.

Utilizing Abrams's scope of work as a touchstone, this comprehensive volume is a guide for fans as well as students of film, media, and culture. The Philosophy of J.J. Abrams is a significant contribution to popular culture scholarship, drawing attention to the mind behind some of the most provocative television and movie plots of our day.

About the authors:
Patricia L. Brace is professor of art history at Southwest Minnesota State University. She has contributed to many philosophy and popular culture volumes, including Lost and Philosophy: The Island Has its Reasons, The Philosophy of Joss Whedon, and The Philosophy of David Lynch. Robert Arp is the editor of a number of books, including The Philosophy of Ang Lee and South Park and Philosophy: You Know, I Learned Something Today, and coeditor of Philosophy of Biology: An Anthology.

Press Reviews:
"This work is a significant contribution to pop culture scholarship that draws attention to the mind behind some of the most provocative television and movie plots of our day." – Sharon Kaye, author of Philosophy, A Complete Introduction

"This well designed book opens up the works of J.J. Abrams like a Lamborghini on beautiful boundless freeway. With essays ranging from the metaphysics of time and self, to emerging issues in ethics as technology advances, this book is great for any class in Introductory Philosophy. Students will encounter essays that focus on everything from existential dread in the vast infinity of Star Trek space (Piven & Stephenson) to the nature of love in Super 8 (Auxier). Abrams forces us to shift our understanding out of automatic when we view his many creative works; he drives us in many philosophical directions. This book is a V6 thrill-ride that makes thinking in high gear fun."— Sara Waller, Associate Professor of Philosophy, Montana State University

See the publisher website: University Press of Kentucky

See the complete filmography of J.J. Abrams on the website: IMDB ...

> From the same authors:

> On a related topic:

Cloud:Between Paris and Tehran: Kiarostami/Corbin/Lacan

Cloud (2025)

Between Paris and Tehran: Kiarostami/Corbin/Lacan

by Joan Copjec

Subject: Director > Abbas Kiarostami

Chantal Akerman:Filmmaker and Philosopher

Chantal Akerman (2025)

Filmmaker and Philosopher

by Andreja Novakovic

Subject: Director > Chantal Akerman

Jane Campion:Filmmaker and Philosopher

Jane Campion (2025)

Filmmaker and Philosopher

by Bernadette Wegenstein

Subject: Director > Jane Campion

Bong Joon Ho:Philosopher and Filmmaker

Bong Joon Ho (2025)

Philosopher and Filmmaker

by Anthony Curtis Adler

Subject: Director > Bong Joon-ho

David Lean:Filmmaker and Philosopher

David Lean (2025)

Filmmaker and Philosopher

by Lydia Goehr

Subject: Director > David Lean

Secret Violences:The Political Cinema of Michelangelo Antonioni, 1960-75

Secret Violences (2024)

The Political Cinema of Michelangelo Antonioni, 1960-75

by Slawomir Maslon

Subject: Director > Michelangelo Antonioni

István Szabó:Filmmaker of Existential Choices

István Szabó (2024)

Filmmaker of Existential Choices

by Susan Rubin Suleiman and Costica Bradatan

Subject: Director > István Szabó

Lars von Trier's Cinema:Excess, Evil, and the Prophetic Voice

Lars von Trier's Cinema (2023)

Excess, Evil, and the Prophetic Voice

by Rebecca Ver Straten-McSparran

Subject: Director > Lars von Trier

11749 books listed   •   (c)2024-2025 cinemabooks.info   •