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British Cinema and the X Certificate in the Long 1960s

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Sujet : Countries > Great Britain

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Childhood, Horror and the PG-13 Rating

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The Dame in the Kimono (2001)

Hollywood, Censorship, and the Production Code

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Sujet : History of Cinema

The Sex Slave in Cinema:An Inegalitarian Spectacle

The Sex Slave in Cinema (2025)

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de Aga Skrodzka

Sujet : Sociology

The Naked Truth

Why Hollywood Doesn't Make X-rated Movies

de Kevin S. Sandler

Type
Studies
Sujet
StudioHollywood
Mots Clés
ratings, sex, United States
Année d'édition
2007
Editeur
Rutgers University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 272 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-8135-4089-4
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Description de l'ouvrage:
From parents and teachers to politicians and policymakers, there is a din of voices participating in the debate over how young people are affected by violence, strong language, and explicit sexual activity in films. The Motion Picture Association of America (MPAA) responded to this concern in 1968 when it introduced a classification and rating system based on the now well-known labels: "G," "PG," PG-13," "R," and "X." For some, these simple tags are an efficient way to protect children from viewing undesirable content. But do the MPAA ratings only protect children? In The Naked Truth, Kevin S. Sandler argues that perhaps even more than viewers, ratings protect the Hollywood film industry. One prime indicator of this is the collective abandonment of the NC-17 rating in 1990 by the major distributors of the MPAA and the main exhibitors of the National Association of Theatre Owners. By categorizing all films released by Hollywood and destined for mainstream theaters into R ratings (or lower), the industry ensures that its products are perceived as "responsible entertainment"—films accessible by all audiences and acceptable to Hollywood's various critics and detractors.

À propos de l'auteur :
Kevin S. Sandler is an assistant professor in the Producing Program of Media Arts at the University of Arizona.

Revue de Presse:
This compelling book challenges received wisdom about how the ratings system evolved and operates. It contradicts all the hype one otherwise encounters on this important subject.
— Matthew Bernstein

Voir le site internet de l'éditeur Rutgers University Press

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