Books in French are on www.livres-cinema.info
MENU   

On a related topic:

Feature Films, 1950–1959:A United States Filmography

Feature Films, 1950–1959 (2009)

A United States Filmography

by Alan G. Fetrow

Subject: On Films > Per period

Projections of Passing:Postwar Anxieties and Hollywood Films, 1947-1960

Projections of Passing (2021)

Postwar Anxieties and Hollywood Films, 1947-1960

by N. Megan Kelley

Subject: On Films > Per period

Ghouls, Gimmicks, and Gold:Horror Films and the American Movie Business, 1953-1968

Ghouls, Gimmicks, and Gold (2004)

Horror Films and the American Movie Business, 1953-1968

by Kevin Heffernan

Subject: Genre > Horror

All that Hollywood Allows:Re-reading Gender in 1950s Melodrama

All that Hollywood Allows (1991)

Re-reading Gender in 1950s Melodrama

by Jackie Byars

Subject: Genre > Drama

Invasion USA:Essays on Anti-Communist Movies of the 1950s and 1960s

Invasion USA (2017)

Essays on Anti-Communist Movies of the 1950s and 1960s

Dir. David J. Hogan

Subject: Sociology

Demographic Angst:Cultural Narratives and American Films of the 1950s

Demographic Angst (2017)

Cultural Narratives and American Films of the 1950s

by Alan Nadel

Subject: Sociology

The Cool and the Crazy:Pop Fifties Cinema

The Cool and the Crazy (2015)

Pop Fifties Cinema

by Peter Stanfield

Subject: Sociology

Fractured Fifties:The Cinematic Periodization and Evolution of a Decade

Fractured Fifties (2023)

The Cinematic Periodization and Evolution of a Decade

by Christine Sprengler

Subject: On Films > Per period

It Came from 1957:A Critical Guide to the Year's Science Fiction, Fantasy and Horror Films

It Came from 1957 (2013)

A Critical Guide to the Year's Science Fiction, Fantasy and Horror Films

by Rob Craig

Subject: On Films > Per period

Triumph over Containment

American Film in the 1950s

by Robert Phillip Kolker

Type
Studies
Subject
On FilmsPer period
Keywords
1950s, american cinema, fears
Publishing date
2021
Publisher
Rutgers University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 232 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-9788209-2-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.

Triumph Over Containment offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.

This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.

About the Author:
ROBERT P. KOLKER is a professor emeritus at the University of Maryland in College Park. He is author of numerous books, including The Extraordinary Image: Orson Welles, Alfred Hitchcock, Stanley Kubrick and the Reimagining of Cinema (Rutgers University Press), A Cinema of Loneliness, Film, Form, and Culture, and, with Nathan Abrams, Eyes Wide Shut: Stanley Kubrick and the Making of his Final Film. He is currently at work on a biography of Stanley Kubrick with Nathan Abrams.

Press Reviews:
"Unabashedly autobiographical and unapologetically auteurist, Robert Kolker’s trip into the fever heat of 1950s American cinema is an eloquent and erudite delight."
— Peter Stanfield

"Robert Kolker ingeniously uses George Kennan’s Cold War strategy of 'containment' as a metaphor to illuminate the complex interplay between movies and politics in this personal, yet incisive exploration of America’s pop culture in the 1950’s."
— Peter Biskind

"New Books Network: New Books in Film interview with Robert P. Kolker"
— New Books Network: New Books in Film

See the publisher website: Rutgers University Press

> From the same author:

11781 books listed   •   (c)2024-2025 cinemabooks.info   •   info@cinemabooks.info