Les livres en français sont sur www.livres-cinema.info
MENU   

The Work of Teaching Writing

Learning from Fiction, Film, and Drama

de Joseph Harris

Type
Didactic
Sujet
TechniqueScriptwriting
Mots Clés
scriptwriting, teaching
Année d'édition
2020
Editeur
Utah State University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 184 pages
5 ½ x 8 ¾ inches (14 x 22 cm)
ISBN
978-1-60732-971-8
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
Film and literature can illuminate the experience of teaching and learning writing in ways that academic books and articles often miss. In particular, popular books and movies about teaching reveal the crucial importance of taking students seriously as writers and intellectuals. In this book, Joseph Harris explores how the work of teaching writing has been depicted in novels, films, and plays to reveal what teachers can learn from studying not just theories of discourse, rhetoric, or pedagogy but also accounts of the lived experience of teaching writing. Each chapter examines a fictional representation of writing classes—Dead Poets Society, Up the Down Staircase, Educating Rita, Push, and more—and shifts the conversation from how these works portray teachers to how they dramatize the actual work of teaching. Harris considers scenes of instruction from different stages of the writing process and depictions of students and teachers at work together to highlight the everyday aspects of teaching writing. In the writing classroom the ideas of teachers come to life in the work of their students. The Work of Teaching Writing shows what fiction, film, and drama can convey about the moment of exchange between teacher and student as they work together to create new insights into writing. It will interest both high school and undergraduate English teachers, as well as graduate students and scholars in composition and rhetoric, literary studies, and film studies.

À propos de l'auteur :
Joseph Harris is professor of English at the University of Delaware, where he teaches composition, creative nonfiction, and digital writing. Previously, he directed the first-year writing programs at the University of Pittsburgh and Duke University. His other books from Utah State University Press are Teaching with Student Texts, A Teaching Subject, and Rewriting.

Revue de Presse:
“A guilty pleasure of the best kind—one that can be justified as intellectual work while having real-world impacts on teaching practice.”
—Jeanne Marie Rose, Pennsylvania State University, Berks

“Harris helps us think carefully about the work that we do with students in writing classrooms—and about the way in which others see that work. This is a highly readable volume that will inspire readers to do what Harris says the best teachers in fiction, film, and drama do: ‘to connect, work together on a text, to imagine new possibilities for writing.’”
—Margaret Debelius, Georgetown University

Voir le site internet de l'éditeur Utah State University Press

> Sur un thème proche :

Cruel Auteurism:Affective Digital Mediations toward Film-Composition

Cruel Auteurism (2019)

Affective Digital Mediations toward Film-Composition

de Bonnie Lenore Kyburz

Sujet : Technique > Scriptwriting

Rem Koolhaas as Scriptwriter:OMA Architecture Script for West Berlin

Rem Koolhaas as Scriptwriter (2025)

OMA Architecture Script for West Berlin

de Helena Huber-Doudová

Sujet : Technique > Scriptwriting

Scriptnotes:A Book About Screenwriting and Things That Are Interesting to Screenwriters

Scriptnotes (2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

de John August et Craig Mazin

Sujet : Technique > Scriptwriting

Beyond the Monoplot:How to Write Unconventional Films (and Why We Should)

Beyond the Monoplot (2025)

How to Write Unconventional Films (and Why We Should)

de Chris Neilan

Sujet : Technique > Scriptwriting

Short Film Screenwriting:A Craft Guide and Anthology

Short Film Screenwriting (2024)

A Craft Guide and Anthology

de Austin Bunn

Sujet : Technique > Scriptwriting

Screenwriting:The Sequence Approach

Screenwriting (2024)

The Sequence Approach

de Paul Joseph Gulino

Sujet : Technique > Scriptwriting

Museum Exhibitions and Suspense:The Use of Screenwriting Techniques in Curatorial Practice

Museum Exhibitions and Suspense (2024)

The Use of Screenwriting Techniques in Curatorial Practice

de Ariane Karbe

Sujet : Technique > Scriptwriting

Legal Stories:Narrative-Based Property Development in the Modern Copyright Era

Legal Stories (2024)

Narrative-Based Property Development in the Modern Copyright Era

de Gregory Steirer

Sujet : Technique > Scriptwriting

11749 livres recensés   •   (c)2024-2025 cinemabooks.info   •