Global TV Horror

Ajouter à ma liste

de Stacey Abbott et Lorna Jowett

Type: Studies
Sujet: Genre > Horror
Mots Clés: horror, television
Année d'édition: 2021
Editeur: University of Wales Press
Collection: Horror Studies
Langue: anglais

Taille du livre

Format

Paperback • 272 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)

ISBN

978-1-78683-694-6

Appréciation

(0 vote)

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
The Horror genre has become one of the most popular genres of TV drama with the global success and fandom surrounding The Walking Dead, Supernatural and Stranger Things. Horror has always had a truly international reach, and nowhere is this more apparent than on television as explored in this provocative new collection looking at series from across the globe, and considering how Horror manifests in different cultural and broadcast/streaming contexts. Bringing together established scholars and new voices in the field, Global TV Horror examines historical and contemporary TV Horror from Australia, Brazil, Canada, Denmark, France, Iran, Japan, Spain, New Zealand, USA and the UK. It expands the discussion of TV Horror by offering fresh perspectives, examining new shows, and excavating new cultural histories, to render what has become so familiar – Horror on television – unfamiliar yet again.

À propos des auteurs :
Stacey Abbott, Professor of Film and Television Studies at the University of Roehampton, is a leading expert on Horror in film and television. She is the author of Undead Apocalypse, Celluloid Vampires, and co-author of TV Horror.
Lorna Jowett, Reader in Television Studies at the University of Northampton, is author of Dancing With the Doctor, Sex and the Slayer, and co-author of TV Horror.

Sommaire:
Acknowledgments
Stacey Abbott and Lorna Jowett - Taking Over the Whole World: Global TV Horror, Then and Now
NATIONAL CONTEXTS
Simon Bacon - ‘Real’ Iranian Vampires: Television versus the Big Screen
Mark Fryers - ‘It’s not ghosts, it’s history’: The Sonic Tradition of British Horror Television
Rebecca Janicker - Terror Australis: The Wilderness Myth in TV’s Wolf Creek
Fernando Pagnoni Berns - Stories to Make You Think: The Horror of Daily Life under Francisco Franco’s Regime in Historias para No Dormir
Laura Cánepa, Leandro Caraça and Lúcio Reis-Filho - Sleep, little baby. Cuca is coming for you. Mom went to the field, and Dad is working too: the witch Cuca in the Brazilian folklore and television
FORMS AND AESTHETICS
Jonas Green - Beyond the Masochistic Pleasure Principle: The Subtle Gore of Les revenants.
Cat Lester - Giving Kids Goosebumps: Uncanny Aesthetics, Cyclic Structures and Anti-didacticism in Children's Horror Anthologies Series
Lorna Piatti-Farnell - As Raw as Flesh: Consuming Humans in TV Horror
INDUSTRY
Stella Gaynor - Driving Industrial Innovation: Fox International Channels and the Global Appeal of The Walking Dead
Andreas Halskov - Staking Claims or Sucking Up: Heartless, Nordic Twilight and the Cross-Pollination of Danish and American TV Drama
Charlotte Stevens - Video Game to Streaming Series: The Case of Castlevania on Netflix
James Rendell - Tracing Terror-Bytes: Ring: Saishusho as Japanese TV Horror, Online Transcultural J-Horror Fan Object, and Digital Only-Click Television
Conclusion - Transnationalism and TV Horror Fandom: A Conversation with Iain Robert Smith and Miranda Ruth Larsen
About the Contributors