Les livres en français sont sur www.livres-cinema.info
No Place Like Home
Locations of Heimat in German Cinema
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
This is the first comprehensive account of Germany's most enduring film genre, the Heimatfilm, which has offered idyllic variations on the idea that "there is no place like home" since cinema's early days. Charting the development of this popular genre over the course of a century in a work informed by film studies, cultural history, and social theory, Johannes von Moltke focuses in particular on its heyday in the 1950s, a period that has been little studied. Questions of what it could possibly mean to call the German nation "home" after the catastrophes of World War II are anxiously present in these films, and von Moltke uses them as a lens through which to view contemporary discourses on German national identity.
À propos de l'auteur :
Johannes von Moltke is Associate Professor of German and Screen Arts and Cultures at the University of Michigan.
Revue de Presse:
"The first book on the subject that avoids both the predictable condemnations of highbrow critics and the hagiography of supporters and fans. . . . Von Moltke deserves much credit for providing an intriguing account of the genre’s continuing allure and the changing ends toward which the concept of Heimat has been summoned since the end of World War II."— Bookforum
"Alternating between panoramic prospects and close-up views, this epic study takes us on an invigorating journey through a century of film history. This exemplar of critical film history is a major breakthrough."—Eric Rentschler, Harvard University
"Taking his cue from Dorothy in The Wizard of Oz, Johannes von Moltke argues that only once one's home is jeopardized or lost does one realize that "There's no place like home." In brilliant readings of German films from the 1950s and early 1960s, he sees "Heimat" as a deeply ambivalent, unstable concept, forever in need of re-grounding. In these films, "Heimat" must be incorporated or adapted into various menaces, whether the threat comes from outsiders, such as politically displaced persons or city dwellers relocating to the countryside, or via the encroachment of modernity, as with increased technological communication and transportation. This book is the sum of superior research, engaging presentation, and sophisticated argumentation. It offers an original contribution to German cultural history."—Alice A. Kuzniar, author of The Queer German Cinema
Voir le site internet de l'éditeur University of California Press
> Du même auteur :
Siegfried Kracauer's American Writings (2012)
Essays on Film and Popular Culture
de Siegfried Kracauer, Johannes von Moltke et Kristy Rawson
Sujet : Theory
Culture in the Anteroom (2012)
The Legacies of Siegfried Kracauer
Dir. Gerd Gemünden et Johannes von Moltke
Sujet : Theory
> Sur un thème proche :
Hollywood Behind the Wall (2005)
The Cinema of East Germany
Entertaining German Culture (2023)
Contemporary Transnational Television and Film
Dir. Stephan Ehrig, Benjamin Schaper et Elizabeth Ward
Heimat - A German Dream (2000)
Regional Loyalties and National Identity in German Culture 1890-1990
Theaters of Occupation (2008)
Hollywood and the Reeducation of Postwar Germany
de Jennifer Fay
Sujet : History of Cinema
Casting a Giant Shadow (2021)
The Transnational Shaping of Israeli Cinema
Dir. Rachel S. Harris et Dan Chyutin
Mythopoetic Cinema (2017)
On the Ruins of European Identity
To Change Reels (2003)
Film and Film Culture in South Africa
Dir. Isabel Balseiro et Ntongela Masilela
Visible Nations (2000)
Latin American Cinema and Video
Dir. Chon A. Noriega
Sujet : Countries > Latin America
New German Cinema and Its Global Contexts (2025)
A Transnational Art Cinema
Dir. Marco Abel et Jaimey Fisher
Retour
