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How the West Was Sung

Music in the Westerns of John Ford

by Kathryn Kalinak

Type
Studies
Subject
DirectorJohn Ford
Keywords
John Ford, music, western
Publishing date
2007
Publisher
University of California Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 271 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-520-25234-9
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Book Presentation:
James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns—from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers —Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.

About the Author:
Kathryn Kalinak is Professor of English and Film Studies at Rhode Island College and author of Settling the Score: Music and the Classical Hollywood Film.

Press Reviews:
"Offers a model for serious work in an arena still in its intellectual adolescence. . . . Kalinak artfully weaves the history and pedigree of nearly every tune incorporated into Ford’s Westerns (and some tunes that were considered but not included) with their social and cultural meanings both for Ford and his audiences."— Notes

"Thoroughly researched and well-written. . . . Illuminating. . . . A work that will interest not only specialists in film and popular music but also those readers concerned with any aspect of twentieth-century American popular culture."— American Studies Journal

"Fascinating."— Western Historical Quarterly

"How the West Was Sung is beautifully written, judiciously argued, and thoroughly researched. Even if you have a tin ear, Kathryn Kalinak will have you hearing Ford's Westerns in an entirely new way. This brilliant book represents a complete rethinking of films we thought we already knew."—Krin Gabbard, author of Black Magic: White Hollywood and African American Culture

See the publisher website: University of California Press

See the complete filmography of John Ford on the website: IMDB ...

> From the same author:

Film Music:A Very Short Introduction

Film Music (2023)

A Very Short Introduction

by Kathryn Kalinak

Subject: Technique > Music

Sound:Dialogue, Music, and Effects

Sound (2015)

Dialogue, Music, and Effects

Dir. Kathryn Kalinak

Subject: Technique > Sound

Settling the Score:Music and the Classical Hollywood Film

Settling the Score (1992)

Music and the Classical Hollywood Film

by Kathryn Kalinak

Subject: Technique > Music

> On a related topic:

John Ford's Westerns:A Thematic Analysis, with a Filmography

John Ford's Westerns (2006)

A Thematic Analysis, with a Filmography

by William Darby

Subject: Director > John Ford

John Ford Made Westerns:Filming the Legend in the Sound Era

John Ford Made Westerns (2001)

Filming the Legend in the Sound Era

Dir. Gaylyn Studlar and Matthew Bernstein

Subject: Director > John Ford

Horizons West:Directing the Western from John Ford to Clint Eastwood

Horizons West (2007)

Directing the Western from John Ford to Clint Eastwood

by Jim Kitses

Subject: Genre > Western

Hollywood and the O.K. Corral:Portrayals of the Gunfight and Wyatt Earp

Hollywood and the O.K. Corral (2006)

Portrayals of the Gunfight and Wyatt Earp

by Michael F. Blake

Subject: Genre > Western

The Searchers:Essays and Reflections on John Ford's Classic Western

The Searchers (2004)

Essays and Reflections on John Ford's Classic Western

Dir. Arthur M. Eckstein and Peter R. Lehman

Subject: One Film > The Searchers

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