University Babylon
Film and Race Politics on Campus
by Curtis Marez
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
From the silent era to the present, film productions have shaped the way the public views campus life. Collaborations between universities and Hollywood entities have disseminated influential ideas of race, gender, class, and sexual difference. Even more directly, Hollywood has drawn writers, actors, and other talent from ranks of professors and students while also promoting the industry in classrooms, curricula, and film studies programs. In addition to founding film schools, university administrators have offered campuses as filming locations.
In University Babylon, Curtis Marez argues that cinema has been central to the uneven incorporation and exclusion of different kinds of students, professors, and knowledge. Working together, Marez argues, film and educational institutions have produced a powerful ideology that links respectability to academic merit in order to marginalize and manage people of color. Combining concepts and methods from critical university studies, ethnic studies, native studies, and film studies, University Babylon analyzes the symbolic and institutional collaborations between Hollywood filmmakers and university administrators over the representation of students and, by extension, college life more broadly.
About the Author:
Curtis Marez is Professor in the Ethnic Studies Department at the University of California, San Diego, and the author of Drug Wars: The Political Economy of Narcotics and Farm Worker Futurism: Speculative Technologies of Resistance.
Press Reviews:
"Marez convincingly delineates how a particular idea of the university has served—and continues to serve—to define belonging and merit on college campuses in terms of white supremacy and patriarchal heteronormativity."— American Literary History
See the publisher website: University of California Press
> On a related topic:
Borderland Brutalities (2024)
Violence and Resistance Along the Us-Mexico Borderlands in Literature, Film, and Culture
Subject: Sociology
Colorization (2024)
One Hundred Years of Black Films in a White World
by Wil Haygood
Subject: Sociology
Intersecting Aesthetics (2023)
Literary Adaptations and Cinematic Representations of Blackness
Dir. Charlene Regester, Cynthia Baron and Ellen C. Scott
Subject: Sociology
White Supremacy and the American Media (2023)
Dir. Sarah D. Nilsen and Sarah E. Turner
Subject: Sociology
Visions of Invasion (2023)
Alien Affects, Cinema, and Citizenship in Settler Colonies
Subject: Sociology
Speculative Film and Moving Images by or about Black Women and Girls (2023)
Watch It!
Subject: Sociology