Les livres en français sont sur www.livres-cinema.info
Togo Mizrahi and the Making of Egyptian Cinema
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
A free open access ebook is available upon publication. Learn more at www.luminosoa.org.
In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.
À propos de l'auteur :
Deborah A. Starr is Professor of Near Eastern Studies and Jewish Studies at Cornell University. She is the author of Remembering Cosmopolitan Egypt: Literature, Culture, and Empire and coeditor of Mongrels or Marvels: The Levantine Writings of Jacqueline Shohet Kahanoff.
Revue de Presse:
"Deborah A. Starr’s study of the pioneering Jewish-Egyptian film-maker Togo Mizrahi has arrived at a good time. . . . wherever this goes in the future, Togo Mizrahi’s Levantine dreams look very appealing from where we are now."
— Times Literary Supplement
"The cinema of Togo Mizrahi is a vital contribution not only to Arab cinema but to the understanding of a region whose heterogeneity is methodically ignored."
— New Arab
"Offers a complex and subtle analysis of a neglected and important figure—and suggests new ways of thinking about Muslim-Jewish interactions."
— Markaz Review
"“Starr’s book recuperates this cinematic history through its welcome account of the pluralistic, hugely entertaining, and popular cinema of Mizrahi and, by extension, by making a case for why Mizrahi and other Alexandrians––Jewish, Greek, Italian, or otherwise––of his era were every bit as Egyptian as their citizen compatriots. . . . Togo Mizrahi and the Making of Egyptian Cinema will undoubtedly be a valuable resource for film scholars and students of early cinema in Egypt and for its contribution to thinking of cinema outside national histories."
— Critical Inquiry
Voir le site internet de l'éditeur University of California Press
Voir la filmographie complète de Togo Mizrahi sur le site IMDB ...
> Sur un thème proche :
Understanding the Public Sector in Egyptian Cinema (2024)
A State Venture
Sujet : Countries > Middle East
Transmodern Cinema and Decolonial Film Theory (2024)
A Study of Youssef Chahine's al-Masir
Representations of Palestine in Egyptian Cinema (2023)
Politics of (In)visibility
Sujet : Countries > Middle East
Unknown Past (2022)
Layla Murad, the Jewish-Muslim Star of Egypt
de Hanan Hammad
Sujet : Actor > Layla Murad
Egyptian Cinema and the 2011 Revolution (2020)
Production, Censorship and Political Economy
de Ahmed Ghazal
Sujet : Countries > Middle East
Retour
