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Ripping England!:Postwar British Satire from Ealing to the Goons

Ripping England! (2018)

Postwar British Satire from Ealing to the Goons

de Roger Rawlings

Sujet : Countries > Great Britain

Censorship and the Permissive Society:British Cinema and Theatre, 1955-1965

Censorship and the Permissive Society (1995)

British Cinema and Theatre, 1955-1965

de Anthony Aldgate

Sujet : Countries > Great Britain

Off to the Pictures:Cinemagoing, Women's Writing and Movie Culture in Interwar Britain

Off to the Pictures (2016)

Cinemagoing, Women's Writing and Movie Culture in Interwar Britain

de Lisa Stead

Sujet : Sociology

Screen Education:From Film Appreciation to Media Studies

Screen Education (2009)

From Film Appreciation to Media Studies

de Terry Bolas

Sujet : Sociology

The Appreciation of Film:The Postwar Film Society Movement and Film Culture in Britain

The Appreciation of Film (2016)

The Postwar Film Society Movement and Film Culture in Britain

de Richard Lowell MacDonald

Sujet : Sociology

British TV and Film Culture in the 1950s

Coming to a TV Near You

de Su Holmes

Type
Studies
Sujet
CountriesGreat Britain
Mots Clés
Great Britain, cinephilia, 1950s
Année d'édition
2005
Editeur
Intellect Books
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 256 pages
6 ¾ x 9 inches (17 x 23 cm)
ISBN-10
ISBN-13
1-84150-121-2
978-1-84150-121-5
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Description de l'ouvrage:
This book focuses on the emerging historical relations between British television and film culture in the 1950s. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues that it was these texts which played the central role in the developing relations between the media. Particularly when it comes to Britain, the early co-existence of television and cinema has been seen as hostile and antagonistic, but in situating these programmes within the contexts of their institutional production, aesthetic construction and reception, the book aims to ‘reconstruct’ television’s coverage of the cinema as crucial to the fabric of British film and television culture at the time. It demonstrates how the roles of cinema and television - as media industries and cultural forms, but crucially as sites of screen entertainment - effectively came together at this time in such a way that is unique to this decade.

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