Books in French are on www.livres-cinema.info
MENU   

Andrei Tarkovsky

Elements of Cinema

by Robert Bird

Type
Studies
Subject
DirectorAndrei Tarkovsky
Keywords
Andrei Tarkovsky
Publishing date
2008
Publisher
Reaktion Books
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 256 pages
7 x 9 ½ inches (18 x 24 cm)
ISBN
978-1-86189-342-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
The masters of Russian arts and letters are a prestigious fraternity that includes such renowned artists as Tolstoy, Rachmaninoff, and Shostakovich. But alongside these luminaries stands a lesser-known but equally revered figure, filmmaker Andrei Tarkovsky. Robert Bird offers in Andrei Tarkovsky an unprecedented investigation of Tarkovsky’s oeuvre and its far-reaching influence on world cinema.
Bird brings a novel approach to his dissection of Tarkovsky’s wholly original techniques and sensibilities, arranging the films into elemental categories of Water, Fire, Earth, and Air. Solaris, Ivan’s Childhood, Mirror, Nostalgia, Andrei Rublev, and Sacrifice all get their due here; through them, Bird explores how the filmmaker probed the elusive correlation between cinematic representation and a more primeval perception of the world. Though the book also considers Tarkovsky’s work in radio, theatre, and opera—as well as his work as an actor, screenwriter, and film theorist—Bird throughout keeps his focus firmly on Tarkovsky as a consummate filmmaker. Anchored by a wealth of film stills and photographs, Andrei Tarkovsky is a must-read for all film buffs and admirers of European cinema.

Press Reviews:
"A major contribution to the literature on the filmmaker. Bird is thoroughly familiar with Russian sources unavailable to English readers and he has a remarkable sensitivity to the nuances of cinematic construction. His writing is lucid and consistently illuminates Tarkovsky’s central preoccupation: ’the tragic failure of spirituality . . . in conflict with its natural conditions.’"
P. Adams Sitney, professor of visual arts, Princeton University, and author of Visionary Film: The American Avant-Garde 1943-2000

"Impeccably erudite. . . . engrossing."
Kevin Maher | The Times

"A dense, devoted appreciation."
J. Hoberman | Bookforum

"Bird’s study can be daunting . . .but he has Tarkovsky right."
Louis Menashe | Cineaste

"In his inspired and rigorous book, Robert Bird addresses the uniqueness of Tarkovksy’s cinema through a detailed exploration of the medium’s constituent parts, revealing in the process the intricate ways in which film can radically shift our vision . . . This profound and eloquent book is a feat of regard, intuition and clarity."–Studies in Russian and Soviet Cinema
Studies in Russian and Soviet Cinema

See the publisher website: Reaktion Books

See the complete filmography of Andrei Tarkovsky on the website: IMDB ...

> Books with the same or similar title:

Andrei Tarkovsky:a Photographic Chronicle of the Making of The Sacrifice

Andrei Tarkovsky (2011)

a Photographic Chronicle of the Making of The Sacrifice

by Layla Alexander-Garrett

Subject: One Film > The Sacrifice

> From the same author:

> On a related topic:

11749 books listed   •   (c)2024-2025 cinemabooks.info   •