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China Forever
The Shaw Brothers and Diasporic Cinema
Sous la direction de Poshek Fu
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Description de l'ouvrage:
The transnational history and cultural politics of the Shaw Brothers' movie empire
Started in Shanghai in the 1920s, the legendary Shaw Brothers Studio began to dominate the worldwide Chinese film market after moving its production facilities to Hong Kong in 1957. Drawing together scholars from such diverse disciplines as history, cultural geography, and film studies, China Forever addresses how the Shaw Brothers raised the production standards of Hong Kong cinema, created a pan-Chinese cinema culture and distribution network, helped globalize Chinese-language cinema, and appealed to the cultural nationalism of the Chinese who found themselves displaced and unsettled in many parts of the world during the twentieth century.
Contributors are Timothy P. Barnard, Cheng Pei-pei, Ramona Curry, Poshek Fu, Lane J. Harris, Law Kar, Sundiata Keita Cha-Jua, Lilly Kong, Siu Leung Li, Paul G. Pickowicz, Fanon Che Wilkins, Wong Ain-ling, and Sai-shing Yung.
À propos de l'auteur :
Poshek Fu is a professor of history, cinema studies, and East Asian languages and cultures at the University of Illinois, Urbana-Champaign. He is the author of Between Shanghai and Hong Kong: The Politics of Chinese Cinemas and Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai.
Revue de Presse:
“Something for everyone . . . effectively lays down a solid foundation for further research.”--China Quarterly
"Reopens the gates to the Shaw Brothers' legend."--Electronic Book Review
Voir le site internet de l'éditeur University of Illinois Press
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