Books in French are on www.livres-cinema.info
Japanese Counterculture
The Antiestablishment Art of Terayama Shuji
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Terayama Shuji (1935-1983) was an avant-garde Japanese poet, dramatist, film director, and photographer known for his highly provocative work. In this inventive and revealing work, Steven Ridgely examines Terayama's life and art to show that a conventional notion of him does not do full justice to the meaning and importance of his wide-ranging, often playful body of work.
Ridgely places Terayama at the center of Japanese and global counterculture and finds in his work a larger story about the history of postwar Japanese art and culture. He sees Terayama as reflecting the most significant events of his day: young poets seizing control of haiku and tanka in the 1950s, radio drama experimenting with form and content after the cultural shift to television around 1960, young assistant directors given free rein in the New Wave as cinema combated television, underground theatre in the politicized late 1960s, and experimental short film through the 1970s after both the studio system and art house cinema had collapsed.
Featuring close readings of Terayama's art, Ridgely demonstrates how across his oeuvre there are patterns that sidestep existing power structures, never offering direct opposition but nevertheless making the opposition plain. And, he claims, there is always in Terayama's work a broad call for seeking out or creating pockets of fiction-where we are made aware that things are not what they seem-and to use otherness in those spaces to take a clearer view of reality.
About the Author:
Steven C. Ridgely is assistant professor of Japanese literature at the University of Wisconsin-Madison.
Press Reviews:
"Steven C. Ridgely’s Japanese Counterculture is invaluable—a long overdue study of Terayama’s complex oeuvre, carefully researched and brilliantly argued. But Japanese Counterculture offers much more: it proposes to redefine the practice of cultural and countercultural studies, and even more significantly, the very nature of global culture. Therein lie its force, ingenuity, and radicality." —Akira Mizuta Lippit, University of Southern California
"Ridgely’s exciting book opens Terayama’s world—his work as a poet, playwright/theater director, radio dramatist, filmmaker—and most importantly conveys the feeling and air of the times, the ‘tactical’ interventions of this fascinating figure within the space of counterculture." —Miryam Sas, University of California, Berkeley
See the publisher website: University of Minnesota Press
See the complete filmography of Terayama Shuji on the website: IMDB ...
> On a related topic:
Cinema of Actuality (2013)
Japanese Avant-Garde Filmmaking in the Season of Image Politics
The Russian Kurosawa (2023)
Transnational Cinema, or the Art of Speaking Differently
Subject: Director > Akira Kurosawa
Negative, Nonsensical, and Non-conformist (2023)
The Films of Suzuki Seijun
Subject: Director > Suzuki Seijun
Ishiro Honda (2023)
A Life in Film, from Godzilla to Kurosawa
by Steve Ryfle and Ed Godziszewski
Subject: Director > Ishirô Honda
Kurosawa, Shakespeare and Others (2023)
Art and the Human Experience
by Anne-Marie Costantini-Cornède
Subject: Director > Akira Kurosawa
Back
