Les livres en français sont sur www.livres-cinema.info
MENU   

Sur un thème proche :

The Terministic Screen:Rhetorical Perspectives on Film

The Terministic Screen (2007)

Rhetorical Perspectives on Film

de David Blakesley

Sujet : Theory

Camera Obscura:An Archeological Survey from the Paleolithic to the Iron Age

Camera Obscura (1998)

An Archeological Survey from the Paleolithic to the Iron Age

de Sarah Kofman

Sujet : Theory

The Crisis of Political Modernism:Criticism and Ideology in Contemporary Film Criticism

The Crisis of Political Modernism (1995)

Criticism and Ideology in Contemporary Film Criticism

de D. N. Rodowick

Sujet : Film Analysis

Ingmar Bergman at the Crossroads:Between Theory and Practice

Ingmar Bergman at the Crossroads (2024)

Between Theory and Practice

Dir. Maaret Koskinen

Sujet : Director > Ingmar Bergman

Organic Cinema:Film, Architecture, and the Work of Béla Tarr

Organic Cinema (2021)

Film, Architecture, and the Work of Béla Tarr

de Thorsten Botz-Bornstein

Sujet : Director > Béla Tarr

Poetics of Cinema:Volume 1, Miscellanies

Poetics of Cinema (2005)

Volume 1, Miscellanies

de Raoul Ruiz

Sujet : Director > Raúl Ruiz

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

The Attractions of the Moving Image (2025)

Essays on History, Theory, and the Avant-Garde

de Tom Gunning

Sujet : Theory

Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

Contemporary Screen Ethics (2025)

Absences, Identities, Belonging, Looking Anew

Dir. Lucy Bolton, David Martin-Jones et Robert Sinnerbrink

Sujet : Theory

Haunting the World:Essays on Film After Perkins and Cavell

Haunting the World (2025)

Essays on Film After Perkins and Cavell

de Dominic Lash

Sujet : Theory

Film Hieroglyphs

Ruptures in Classical Cinema

de Tom Conley

Type
Studies
Sujet
Theory
Mots Clés
theory, director, ideology
Année d'édition
2006
Editeur
University of Minnesota Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 296 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-8166-4970-7
978-0-8166-4970-9
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
At a time when traditional film theory privileged the purely visual, Film Hieroglyphs introduced a new way of watching film—examining the ways in which writing bears on cinema. Author Tom Conley gives special consideration to the points (ruptures) at which story, image, and writing appear to be at odds with one another. Conley hypothesizes that major directors—Renoir, Lang, Walsh, Rossellini—tend unconsciously to meld history and ideology. Graphic elements are seen as simultaneously foreign and integral to the field of the image. From these contradictions hieroglyphs emerge that mark a design attesting to a hidden rhetoric and to configurations of meaning that cinema cannot always control.Tom Conley is Lowell Professor of romance languages and visual and environmental studies at Harvard University. Among his books is The Self-Made Map (1996), as well as translations of The Fold (1992) by Gilles Deleuze and In the Metro (2002) by Marc Augé, all available from the University of Minnesota Press.

Voir le site internet de l'éditeur University of Minnesota Press

> Du même auteur :

Action, Action, Action:The Early Cinema of Raoul Walsh

Action, Action, Action (2022)

The Early Cinema of Raoul Walsh

de Tom Conley

Sujet : Director > Raoul Walsh

11794 livres recensés   •   (c)2024-2025 cinemabooks.info   •   info@cinemabooks.info