Scenarios
Aguirre, the Wrath of God / Every Man for Himself and God Against All / Land of Silence and Darkness / Fitzcarraldo
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Description de l'ouvrage:
I do not follow ideas, I stumble into stories or into people; and I know that this is so big, I have to make a film. Very often, films come like uninvited guests, like burglars in the middle of the night. They are in your kitchen; something is stirring, you wake up at 3 a.m. and all of a sudden they come wildly swinging at you.
When I write a screenplay, I write it as if I have the whole film in front of my eyes. Then it is very easy for me, and I can write very, very fast. It is almost like copying. But of course sometimes I push myself; I read myself into a frenzy of poetry, reading Chinese poets of the eighth and ninth century, reading old Icelandic poetry, reading some of the finest German poets like Hölderlin. All of this has absolutely nothing to do with the idea of my film, but I work myself up into this kind of frenzy of high-caliber language and concepts and beauty.
And then sometimes I push myself by playing music, for example, a piano concerto by Beethoven, and I play it and write furiously. But none of this is an answer to the question of how you focus on a single idea for a film. And then, during shooting, you have to depart from it sometimes, while keeping it alive in its essence.
—Werner Herzog, on filmmaking
Werner Herzog doesn’t write traditional screenplays. He writes fever dreams brimming with madness, greed, humor, and dark isolation that can shift dramatically during production—and have materialized into extraordinary masterpieces unlike anything in film today. Harnessing his vision and transcendent reality, these four pieces of long-form prose earmark a renowned filmmaker at the dawn of his career.
À propos de l'auteur :
Werner Herzog has produced, written, and directed more than seventy films. He grew up in a remote mountain village in Bavaria and now lives in Los Angeles, California. He is author of Of Walking in Ice: Munich–Paris, 23 November–14 December 1974 (Minnesota, 2015) and Conquest of the Useless: Reflections from the Making of Fitzcarraldo.
Revue de Presse:
"A compulsively readable, probing collection. It’s equal parts challenging and satisfying, infuriating and enlightening."—Publishers Weekly
"Herzog seems to peer nonstop into the abyss combining vainglory, cruelty, and madness. Those are the coordinates at which Herzog geolocates humanity."—BookForum
"Scenarios contains more than merely dialogue in cold type. Herzog’s screenplays read like novellas—the characters are fully thought-out and the settings are vividly described, albeit in long, medium and close shots."—Shepherd Express
"Herzog doesn’t write traditional scripts. Instead, Herzog writes scenarios which are like a hybrid of film, fiction, and prose poetry."—Film International
Voir le site internet de l'éditeur University of Minnesota Press
Voir la filmographie complète de Werner Herzog sur le site IMDB ...
> Du même auteur :
Every Man for Himself and God against All (2023)
A Memoir
de Werner Herzog et Michael Hofmann
Sujet : Director > Werner Herzog
Werner Herzog (2020)
A Guide for the Perplexed: Conversations with Paul Cronin
de Werner Herzog et Paul Cronin
Sujet : Director > Werner Herzog
Scenarios III (2019)
Stroszek/ Nosferatu/ Phantom of the Night/ Where the Green Ants Dream/ Cobra Verde
Sujet : Director > Werner Herzog
Scenarios II (2018)
Signs of Life / Even Dwarfs Started Small / Fata Morgana / Heart of Glass
Sujet : Director > Werner Herzog
Herzog on Herzog (2003)
Conversations with Paul Cronin
de Werner Herzog et Paul Cronin
Sujet : Director > Werner Herzog
> Sur un thème proche :
Forgotten Dreams (2016)
Revisiting Romanticism in the Cinema of Werner Herzog
Sujet : Director > Werner Herzog
The Films of Werner Herzog (2016)
Between Mirage and History
Dir. Timothy Corrigan
Sujet : Director > Werner Herzog
Ferocious Reality (2012)
Documentary According to Werner Herzog
de Eric Ames
Sujet : Director > Werner Herzog
The Cinema of Werner Herzog (2007)
Aesthetic Ecstasy and Truth
de Brad Prager
Sujet : Director > Werner Herzog
New German Cinema and Its Global Contexts (2025)
A Transnational Art Cinema
Dir. Marco Abel et Jaimey Fisher