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Medieval Women on Film:Essays on Gender, Cinema and History

Medieval Women on Film (2020)

Essays on Gender, Cinema and History

Dir. Kevin J. Harty

Sujet : Genre > Historical films

The American Girl Goes to War:Women and National Identity in U.S. Silent Film

The American Girl Goes to War (2022)

Women and National Identity in U.S. Silent Film

de Liz Clarke

Sujet : Genre > War films

Reading Gender:Studies on Medieval Manuscripts and Medievalist Movies

Reading Gender (2025)

Studies on Medieval Manuscripts and Medievalist Movies

de Felice Lifshitz

Sujet : Genre > Historical films

Art and the Historical Film:Between Realism and the Sublime

Art and the Historical Film (2024)

Between Realism and the Sublime

de Gillian McIver

Sujet : Genre > Historical films

Cinema Medievalia:New Essays on the Reel Middle Ages

Cinema Medievalia (2024)

New Essays on the Reel Middle Ages

Dir. Kevin J. Harty et Scott Manning

Sujet : Genre > Historical films

Abraham Lincoln and Women in Film:One Hundred Years of Hollywood Mythmaking

Abraham Lincoln and Women in Film (2024)

One Hundred Years of Hollywood Mythmaking

de Frank J. Wetta et Martin A. Novelli

Sujet : Genre > Historical films

History Films, Women, and Freud's Uncanny

de Susan E. Linville

Type
Essays
Sujet
GenreHistorical films
Mots Clés
historical films, women, 1990s
Année d'édition
2004
Editeur
University of Texas Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 207 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-292-70269-8
978-0-292-70269-1
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Description de l'ouvrage:
History films were a highly popular genre in the 1990s, as Hollywood looked back at significant and troubling episodes from World War II, the Cold War era, and the techno-war in the Persian Gulf. As filmmakers attempted to confront and manage intractable elements of the American past, such as the trauma of war and the legacy of racism, Susan Linville argues that a surprising casualty occurred—the erasure of relevant facets of contemporary women's history.

In this book, Linville offers a sustained critique of the history film and its reduction of women to figures of ambivalence or absence. Historicizing and adapting Freud's concept of the uncanny and its relationship to the maternal body as the first home, she offers theoretically sophisticated readings of the films Midnight Clear, Saving Private Ryan, The Thin Red Line, Nixon, Courage Under Fire, Lone Star, and Limbo. She also demonstrates that the uncanny is not only a source of anxiety but also potentially a progressive force for eroding nostalgic ideals of nation and gender. Linville concludes with a close reading of a recent 9/11 documentary, showing how the patterns and motifs of 1990s history films informed it and what that means for our future.

Voir le site internet de l'éditeur University of Texas Press

> Du même auteur :

Feminism, Film, Fascism:Women's Auto/Biographical Film in Postwar Germany

Feminism, Film, Fascism (1998)

Women's Auto/Biographical Film in Postwar Germany

de Susan E. Linville

Sujet : Countries > Germany

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