Directed by God
Jewishness in Contemporary Israeli Film and Television
de Yaron Peleg
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage:
As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. Directed by God explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.
Once the purview of secular culture, Israel’s media initially promoted alternatives to traditional religious expression; however, using films such as Kadosh, Waltz with Bashir, and Eyes Wide Open, Yaron Peleg shows how Israel’s contemporary film and television programs have been shaped by new religious trends and how secular Israeli culture has processed and reflected on its religious heritage. He investigates how shifting cinematic visions of Jewish masculinity and gender track transformations in the nation’s religious discourse. Moving beyond the secular/religious divide, Directed by God explores changing film and television representations of different Jewish religious groups, assessing what these representations may mean for the future of Israeli society.
À propos de l'auteur :
Yaron Peleg is the Kennedy-Leigh Lecturer in modern Hebrew studies at the University of Cambridge, where he teaches modern Hebrew literature and Israeli culture. He is the author of Israeli Culture between the Two Intifadas: A Brief Romance and coeditor of Israeli Cinema: Identities in Motion.
Revue de Presse:
This volume contributes greatly to various fields of scholarship—cinema studies, Israel studies and Israeli cinema, and religious studies—and could be extremely useful for teaching. It will also be very useful to the general public, increasingly attracted to the vitality, beauty, and rigorous standards of Israeli cinema. Marcella Simoni, Ca’ Foscari University, Venice, author of A Healthy Nation: Zionist Health Policies in British Palestine 1930–1939 and At the Margins of Conflict: Social Perspectives on Arabs and Jews in British Palestine 1922–1948
Voir le site internet de l'éditeur University of Texas Press
> Du même auteur :
New Directions in Israeli Media (2025)
Film, Television, and Digital Content
Dir. Yaron Peleg, Eran Kaplan et Ido Rosen
Israeli Cinema (2011)
Identities in Motion
Dir. Miri Talmon et Yaron Peleg
Sujet : Countries > Middle East
> Sur un thème proche :
Reel Gender (2024)
Palestinian and Israeli Cinema
Dir. Sa'ed Atshan et Katharina Galor
Sujet : Countries > Middle East
Israel/Palestine (2020)
Border Representations in Literature and Film
de Drew Paul
Sujet : Countries > Middle East
Casting a Giant Shadow (2021)
The Transnational Shaping of Israeli Cinema
Dir. Rachel S. Harris et Dan Chyutin
Warriors, Witches, Whores (2017)
Women in Israeli Cinema