Books in French are on www.livres-cinema.info
MENU   

Make Ours Marvel

Media Convergence and a Comics Universe

Edited by Matt Yockey

Type
Studies
Subject
GenreFantasy
Keywords
comics, Marvel, intermedia
Publishing date
2017
Publisher
University of Texas Press
Collection
World Comics and Graphic Nonfiction
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 364 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-4773-1250-6
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
The creation of the Fantastic Four effectively launched the Marvel Comics brand in 1961. Within ten years, the introduction (or reintroduction) of characters such as Spider-Man, the Hulk, Iron Man, Captain America, and the X-Men catapulted Marvel past its primary rival, DC Comics, for domination of the comic book market. Since the 2000s, the company’s iconic characters have leaped from page to screens with the creation of the Marvel Cinematic Universe, which includes everything from live-action film franchises of Iron Man and the Avengers to television and streaming media, including the critically acclaimed Netflix series Daredevil and Jessica Jones. Marvel, now owned by Disney, has clearly found the key to transmedia success.

Make Ours Marvel traces the rise of the Marvel brand and its transformation into a transmedia empire over the past fifty years. A dozen original essays range across topics such as how Marvel expanded the notion of an all-star team book with The Avengers, which provided a roadmap for the later films, to the company’s attempts to create lasting female characters and readerships, to its regular endeavors to reinvigorate its brand while still maintaining the stability that fans crave. Demonstrating that the secret to Marvel’s success comes from adeptly crossing media boundaries while inviting its audience to participate in creating Marvel’s narrative universe, this book shows why the company and its characters will continue to influence storytelling and transmedia empire building for the foreseeable future.

See the publisher website: University of Texas Press

> From the same author:

> On a related topic:

Analyzing the Marvel Universe:Critical Essays on the Comics and Film Adaptations

Analyzing the Marvel Universe (2024)

Critical Essays on the Comics and Film Adaptations

Dir. Douglas Brode

Subject: Genre > Fantasy

MCU:The Reign of Marvel Studios

MCU (2024)

The Reign of Marvel Studios

by Joanna Robinson, Dave Gonzales and Gavin Edwards

Subject: Studio > Marvel Studios

Searching for Feminist Superheroes:Gender, Sexuality, and Race in Marvel Comics

Searching for Feminist Superheroes (2024)

Gender, Sexuality, and Race in Marvel Comics

by Sam Langsdale

Subject: Sociology

The Superhero Blockbuster:Adaptation, Style, and Meaning

The Superhero Blockbuster (2025)

Adaptation, Style, and Meaning

by James C. Taylor

Subject: Genre > Fantasy

With Great Power:How Spider-Man Conquered Hollywood During the Golden Age of Comic Book Blockbusters

With Great Power (2022)

How Spider-Man Conquered Hollywood During the Golden Age of Comic Book Blockbusters

by Sean O'Connell

Subject: Genre > Fantasy

Retcon Game:Retroactive Continuity and the Hyperlinking of America

Retcon Game (2021)

Retroactive Continuity and the Hyperlinking of America

by Andrew J. Friedenthal

Subject: Genre > Fantasy

Comics and Pop Culture:Adaptation from Panel to Frame

Comics and Pop Culture (2019)

Adaptation from Panel to Frame

Dir. Barry Keith Grant and Scott Henderson

Subject: Genre > Fantasy

Comic Book Film Style:Cinema at 24 Panels Per Second

Comic Book Film Style (2017)

Cinema at 24 Panels Per Second

by Dru Jeffries

Subject: Genre > Fantasy

11749 books listed   •   (c)2024-2025 cinemabooks.info   •